ISBN:
9783110201970
,
3110201976
Language:
German
Pages:
Online Ressource (xxxviii, 567 p.)
,
ill.
Edition:
Online-Ausg.
Series Statement:
Theatrum scientiarum Bd. 3
DDC:
001.3
Keywords:
Science and the humanities Congresses
;
History
;
17th century
;
Research Congresses
;
Methodology
;
History
;
17th century
;
Avant-garde (Aesthetics) Congresses
;
History
;
17th century
;
Intellectual life Congresses
;
History
;
Research Congresses Methodology 17th century
;
History
;
Avant-garde (Aesthetics) Congresses History 17th century
;
Intellectual life Congresses History
;
Science and the humanities Congresses History 17th century
;
Avant-garde (Aesthetics) Congresses History 17th century
;
Intellectual life Congresses History
;
Science and the humanities Congresses History 17th century
;
Research Congresses Methodology 17th century
;
History
;
Science and the humanities History
;
17th century
;
Research Methodology
;
History
;
17th century
;
Avant-garde (Aesthetics) History
;
17th century
;
Intellectual life History
;
Electronic books
;
REFERENCE ; Questions & Answers
;
Avant-garde (Aesthetics)
;
Intellectual life
;
Research ; Methodology
;
Science and the humanities
;
Experiment
;
Künste
;
Raritätenkammer
;
Theater
;
Wissenschaft
;
Wissensrepräsentation
;
Wetenschap
;
Experimenten
;
Conference papers and proceedings
;
History
;
Electronic books Conference proceedings
;
History
;
Konferenzschrift
Abstract:
DOMINIQUE PESTREFunken sichtbar und öffentlich machen. Spektakel und Kontroversen um die historischenExperimente von Heinrich HertzRAINER GRUBEREvidenz wofür? Newton, Einstein und diekosmische Hintergrundstrahlung; ANDREW PICKERINGOntologisches Theater. Gordon Pask, Kybernetik und die Künste; LYDIA GOEHRExplosive Experimente und die Fragilität desExperimentellen. Adorno, Bacon und Cage; Zu den Autorinnen und Autoren; Bildnachweise/Bildrechte; Gesamtliteraturverzeichnis; Personenregister; Sachregister
Abstract:
This volume is the third of the projected eight volumes in the series Theatrum Scientiarum, which examines the founding phase of art and science in the modern age from a new perspective. It focuses on the question of how experiments and their execution have contributed to a fundamental change in the cultural landscape since the Early Modern Age. The contributors demonstrate that poetological discourse and Baroque theatrical production play a decisive role in the generation and social acceptance of experimental knowledge in the 17th century
Abstract:
Vorwort der Herausgeber; Inhaltsverzeichnis; HELMAR SCHRAMMEinleitung. Kunst des Experimentellen, Theater des Wissens; HANS-JÖRG RHEINBERGERDie Evidenz des Präparates1; PHILIP BUTTERWORTHDie Books of Secrets und die Magie des Lichts imfrühneuzeitlichen Theater; VIKTORIA TKACZYKCumulus ex machina. Wolkeninszenierungen inTheater und Wissenschaft; ROBERT FELFESehen am Faden der Linie. Spiele des Bildermachens bei Abraham Bosse; FLORIAN NELLEBernini und das Experiment als Katastrophe; VOLKHARD WELSDie logische Form des Dramas im 17. Jahrhundert
Note:
Papers presented at an international conference held in Berlin, November 4-6, 2004. - Includes bibliographical references (p. [517]-549) and indexes. - Description based on print version record
,
Papers presented at an international conference held in Berlin, November 4-6, 2004
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