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  • 1
    Online-Ressource
    Online-Ressource
    Minneapolis : University of Minnesota Press
    ISBN: 9781452955513
    Sprache: Englisch
    Seiten: 1 online resource (499 pages)
    Paralleltitel: Erscheint auch als Lauro, Sarah Juliet Zombie Theory : A Reader
    DDC: 398.21
    RVK:
    Schlagwort(e): Zombies ; Zombie ; Aufsatzsammlung ; Aufsatzsammlung ; Zombie
    Anmerkung: Description based on publisher supplied metadata and other sources
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 2
    Buch
    Buch
    Minneapolis : University of Minnesota Press
    ISBN: 9781517900908 , 9781517900915
    Sprache: Englisch
    Seiten: xxiii, 474 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als Zombie theory
    DDC: 398.21
    RVK:
    RVK:
    Schlagwort(e): Zombies ; Zombies Social aspects ; Zombies in popular culture ; Zombies ; Zombies Social aspects ; Zombies in popular culture ; LITERARY CRITICISM ; PERFORMING ARTS ; SOCIAL SCIENCE ; Zombies ; Zombies ; Zombies in popular culture ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Zombie ; Massenkultur
    Kurzfassung: "Zombies first shuffled across movie screens in 1932 in the low-budget Hollywood film White Zombie and were reimagined as undead flesh-eaters in George A. Romero's The Night of the Living Dead almost four decades later. Today, zombies are omnipresent in global popular culture, from video games and top-rated cable shows in the United States to comic books and other visual art forms to low-budget films from Cuba and the Philippines. The zombie's ability to embody a variety of cultural anxieties--ecological disaster, social and economic collapse, political extremism--has ensured its continued relevance and legibility, and has precipitated an unprecedented deluge of international scholarship. Zombie studies manifested across academic disciplines in the humanities but also beyond, spreading into sociology, economics, computer science, mathematics, and even epidemiology. Zombie Theory collects the best interdisciplinary zombie scholarship from around the world. Essays portray the zombie not as a singular cultural figure or myth but show how the undead represent larger issues: the belief in an afterlife, fears of contagion and technology, the effect of capitalism and commodification, racial exclusion and oppression, dehumanization. As presented here, zombies are not simple metaphors; rather, they emerge as a critical mode for theoretical work. With its diverse disciplinary and methodological approaches, Zombie Theory thinks through what the walking undead reveal about our relationships to the world and to each other. Contributors: Fred Botting, Kingston U; Samuel Byrnand, U of Canberra; Gerry Canavan, Marquette U; Jeffrey Jerome Cohen, George Washington U; Jean Comaroff, Harvard U; John Comaroff, Harvard U; Edward P. Comentale, Indiana U; Anna Mae Duane, U of Connecticut; Karen Embry, Portland Community College; Barry Keith Grant, Brock U; Edward Green, Roosevelt U; Lars Bang Larsen; Travis Linnemann, Eastern Kentucky U; Elizabeth McAlister, Wesleyan U; Shaka McGlotten, Purchase College-SUNY; David McNally, York U; Tayla Nyong'o, Yale U; Simon Orpana, U of Alberta; Steven Shaviro, Wayne State U; Ola Sigurdson, U of Gothenburg; Jon Stratton; Eugene Thacker, The New School; Sherryl Vint, U of California Riverside; Priscilla Wald, Duke U; Tyler Wall, Eastern Kentucky U; Jen Webb, U of Canberra; Jeffrey Andrew Weinstock, Central Michigan U"--
    Anmerkung: Literaturverzeichnis: Seiten 435-451 und weitere Literaturangaben , Introduction: Wander and wonder in Zombieland , 1. Contagious allegories: George Romero , 2. Zombie TV: Late-night b movie horror fest , 3. Viral cultures: Microbes and politics in the cold war , 4. Slaves, cannibals, and infected hyper-whites: The race and religion of zombies , 5. Slavo Zizek, the death drive, and zombies: A theological account , 6. Some kind of virus: The zombie as body and trope , 7. Ugly beauty: Monstrous dreams of utopia , 8. Alien-Nation: Zombies, immigrants, and millenial capitalism , 9. Zombies of immaterial labor: The modern monster and the consumption of the self , 10. Abject posthumanism: Neoliberalism, biopolitics, and zombies , 11. Zombie race , 12. Taking back the "Night of the living dead": George Romero, feminism, and the horror film , 13. Dead and live life: Zombies, queers, and online sociality , 14. Dead and disabled: The crawling monters of "The walking dead" , 15. Trouble with zombies: Muselmänner, bare life, and displaced people , 16. Zombie London: Unexceptionalities of the new world order , 17. Spooks of biopower: The uncanny carnivalesque of zombie walks , 18. The scene of occupation , 19.The walking dead and killing state: Zombification and the normalization of police violence , 20. Nekros: or, The poetics of biopolitics , 21. Grey: A zombie ecology , 22. A zombie manifesto: The nonhuman condition in the era of advanced capitalism , 23. 'We are the walking dead': Race, time, and survival in zombie narrative
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 3
    Buch
    Buch
    New Brunswick, New Jersey : Rutgers University Press
    ISBN: 9780813568836 , 9780813568843
    Sprache: Englisch
    Seiten: XIII, 263 Seiten , Illustrationen , 24 cm
    Serie: American literatures initiative
    DDC: 398.21
    RVK:
    Schlagwort(e): Zombies History ; Zombies History ; Zombie ; Nordamerika ; Karibik ; Nordamerika ; Karibik ; Zombie
    Kurzfassung: "Our most modern monster and perhaps our most American, the zombie that is so prevalent in popular culture today has its roots in African soul capture mythologies. The Transatlantic Zombie provides a more complete history of the zombie than has ever been told, explaining how the myth's migration to the New World was facilitated by the transatlantic slave trade, and reveals the real-world import of storytelling, reminding us of the power of myths and mythmaking, and the high stakes of appropriation and homage. Beginning with an account of a probable ancestor of the zombie found in the Kongolese and Angolan regions of seventeenth-century Africa and ending with a description of the way, in contemporary culture, new media are used to facilitate zombie-themed events, Sarah Juliet Lauro plots the zombie's cultural significance through Caribbean literature, Haitian folklore, and American literature, film, and the visual arts. The zombie entered US consciousness through the American occupation of Haiti, the site of an eighteenth-century slave rebellion that became a war for independence, thus making the figuration of living death inseparable from its resonances with both slavery and rebellion. Lauro bridges African mythology and US mainstream culture by articulating the ethical complications of the zombie's invocation as a cultural conquest that was rebranded for the American cinema. As The Transatlantic Zombie shows, the zombie is not merely a bogeyman representing the ills of modern society, but a battleground over which a cultural war has been fought between the imperial urge to absorb exotic, threatening elements, and the originary, Afro-disaporic culture's preservation through a strategy of mythic combat"--
    Anmerkung: Includes bibliographical references (pages 229-255) and index , Erscheinungsjahr in Vorlageform:[2015]
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 4
    Online-Ressource
    Online-Ressource
    New York : Fordham University Press
    ISBN: 9780823250868
    Sprache: Englisch
    Seiten: viii, 296 p
    Ausgabe: 1st ed
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 398.21
    RVK:
    RVK:
    RVK:
    Schlagwort(e): Zombies ; Zombies in popular culture ; Zombies in literature ; Zombies in motion pictures ; Zombie ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Zombie
    Anmerkung: Includes bibliographical references and index
    URL: Volltext  (lizenzpflichtig)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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