ISBN:
978-1-4094-3703-1
,
1-4094-3703-5
,
978-1-3156-0325-4
,
1-4094-3702-7
,
978-1-4094-3702-4
,
1-283-73880-5
,
978-1-283-73880-4
Language:
English
Pages:
1 Online-Ressource (xii, 224 pages).
Series Statement:
Ashgate popular and folk music series
Series Statement:
Ashgate popular and folk music series
Parallel Title:
Erscheint auch als
DDC:
781.64086/6
Keywords:
MUSIC / Genres & Styles / Rock
;
Gender identity in music
;
Music / Philosophy and aesthetics
;
Popular music
;
Queer theory
;
Rock music
;
Musik
;
Rock music History and criticism
;
Popular music History and criticism
;
Gender identity in music
;
Queer theory
;
Music Philosophy and aesthetics
Note:
Revised translation of Queere Tracks. Subversive Strategien in Rock- und Popmusik. - Includes bibliographical references and index. - Irony : the cutting edge -- Parody : gender trouble -- Camp : queer revolt in style -- Mask/masquerade : transforming the gaze -- Mimesis/mimicry : poetic aesthetic -- Cyborg : transhuman -- Trans* : border wars? -- Dildo : gender blender -- Fade out : conclusion. - Queer Tracks describes motifs in popular music that deviate from heterosexual orientation, the binary gender system and fixed identities. This cutting-edge work deals with the key concepts of current gender politics and queer theory in rock and pop music, including irony, parody, camp, mask/masquerade, mimesis/mimicry, cyborg, transsexuality, and dildo. Queer Tracks is a revised translation of Queere Tracks. Subversive Strategien in Rock- und Popmusik, originally published in German
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