ABSTRACT
Classic sociological analyses of 'deviance' and rebellion; studies of technology; subcultural and feminist readings, semiotic and musicological essays and close readings of stars, bands and the fans themselves by Adorno, Barthes and other well-known contributors
TABLE OF CONTENTS
part |2 pages
PART THREE The Organization of the Music Business
part |2 pages
PART FIVE Musicology and Semiotics
part |2 pages
PART SIX Music and Sexuality
part |2 pages
PART SEVEN Reading the Stars
part |2 pages
PART EIGHT Last Words: The Fans Speak