1. Introduction
2. Mapping the Theory and the Conviction Rate Attractor
3. Courtroom Expressions: The Intermingling of the Semiotic and Material Regimes
4. Courtroom Performances: Drama, but not Representational Drama
5. Deleuze’s Materialist Philosophy of Affect and Sense
6. Complexity Theory, Deleuze and Guattari’s Affective Assemblage Theory and the Courtroom as Affective Assemblage
7. Conclusion: Techniques of Affect and Adaptive Management.