1. Introduction
2. Research-based art practices: Context and framework
3. Birth of a new art language
4. The artist-researcher
5. The artist producer of knowledge: cultural activism in Tiffany Chung’s The Vietnam Exodus Project (2009- )
6. Reactivating mythologies in Wah Nu and Tun Win Aung’s The Name series (2008- )
7. Beyond the artist’s discourse: implicit and sensuous knowledge in Khvay Samnang’s Preah Kunlong (2017)
8. Emancipatory modes of knowledge production in Ho Tzu Nyen’s The Critical Dictionary of Southeast Asia (2003/2012- ongoing)
9. Conclusion. .