Part I: How to conceive change: Theoretical and methodological considerations
Chapter 1. Post-migrant literary history: a new theoretical and methodological approach
Chapter 2. Continuity or change? How migrants’ musical activities (do not) affect symbolic boundaries
Chapter 3. How to research ‘cultural change’ in migration societies? Conceptual and methodological issues
Chapter. Culture changes but cultural institutions not?
Part II: Cultural encounters: locations of change and their impact beyond the local
Chapter 5. Challenging Italian national identity through literature and cinema. Voices and gazes of racialised artists
Chapter 6. How do ‘migrant’ and ‘world’ music change local and national cultures? An insight from Cologne carnival, related antiracist networks and recent cultural politics
Chapter 7. Words matter. Museums remove offensive terms in the Netherlands: changing representations of ‘self’ and ‘others’
Chapter 8. Everyday encounters with national day celebrations: the case of Turks in Norway
Part III: Research, arts and cultural production: joint ventures for change
Chapter 9. Collaborations between arts, academia and activists on topics of migration
Chapter 10. Refugees in a multimedia dialogue – a methodology that creates new narratives in a process of change
Chapter 11. Beyond the spectacle of diversity: On art, audience engagement and social inclusion
Chapter 12. Youth in the city: fostering transcultural leadership for social change.