Front Matter
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Table of Contents
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Portraying Female Intellectual Authority: An Introduction
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‘A woman of supreme goodness, and a singular talent’:: Anna Morandi Manzolini, Artist and Anatomist of Enlightenment Bologna
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Epistolary Relationship and Intellectual Identity in Maria Antonia of Saxony’s Correspondence with Frederick the Great, 1763–1779
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Between Defence and Affirmation:: The Discursive Self-Representation of Eighteenth-Century Women Authors in France and Italy
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The Visual and Textual Portraits of Mme de Genlis:: The Gouverneur, Educator, and Author of the Mémoires
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(Self-)Portrait of the Woman as (a Reluctant?) Authority
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Penning the Midwife’s Experience:: Professional Skills, Publication, and Female Agency in Early Modern Europe
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Women’s Strength Made Perfect in Weakness:: Paratextual Authority Constructions in Printed Vernacular Religious Literature by Early Modern Dutch Women Writers
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‘Instructing herself by fad or fancy’:: Depictions and Fictions of Connoisseuses and Femmes Savantes in Eighteenth-Century Paris
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Portraits of Female Mentors in Aemilia Lanyer’s Salve Deus Rex Judaeorum (1611)
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Matrona Docta:: Elizabeth Carter and Catherine Macaulay in the Guise of the Roman Matrona
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Portraits of Mary, Queen of Scots, as an Intellectual in Seventeenth-Century Collective Biographies
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Women Jurists?: Representations of Female Intellectual Authority in Eighteenth-Century Jurisprudence
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‘Diotime’ and ‘La Muse Belgique’:: The Intellectual Mobility and Divergent Legacies of Amalia Gallitzin and Marie-Caroline Murray
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‘It Wasn’t Enough for Me Just to Be a Singer’:: (Self-)Representations of the ‘German Prima Donna’ Gertrud Elisabeth Mara
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About the Authors
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Plates
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