Format:
1 Online-Ressource (193 Seiten)
ISBN:
9783839435724
Series Statement:
Gender Studies
Content:
Pinar Tuzcu explores rapper Lady Bitch Ray's performance and particularly her use of the term Kanackin. She combines issues of popfeminism and postmigration through speculative methodology and invites us to forget prescriptive definitions by proposing paradoxicality as a source to diversify our concepts of feminism. By means of Situational Analysis, her study works through the contradictory forms of positioning that occurred in group discussions with Turkish-German university students about Lady Bitch Ray's music videos. In this book, Tuzcu argues that these contradictory forms of positioning bear traces of emergent discourses that reach beyond Western-centric descriptions of feminism in Germany
Note:
Description based on online resource; title from PDF title page (publisher's Web site, viewed June 28, 2017)
,
Dissertation University of Kassel 2015
,
In English
Additional Edition:
Erscheint auch als Druck-Ausgabe ISBN 978-3-8376-3572-0
Language:
English
Subjects:
Ethnology
,
Musicology
Keywords:
Bitch Ray Lady 1981-
;
Popkultur
;
Feminismus
;
Postkolonialismus
;
Rezeption
;
Gruppendiskussion
;
Bitch Ray Lady 1981-
;
Unterhaltungsmusik
;
Feminismus
;
Kulturelle Identität
;
Postkolonialismus
;
Hochschulschrift
;
Hochschulschrift
;
Hochschulschrift
DOI:
10.14361/9783839435724
DOI:
10.1515/9783839435724
URL:
Volltext
(URL des Erstveröffentlichers)
Author information:
Tuzcu, Pinar
