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Dress cultures in Zambia
interwoven histories, global exchanges, and everyday lifeVerfasser: Hansen, Karen Tranberg
(DE-588)170723518978-1-00-935031-0
Schlagwörter: Sambia
; Kleidung 
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Letzte Änderung: 19.06.2023
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Zugang für Benutzer von: Bayerische Staatsbibliothek München - Zugang für Benutzer von: Universitätsbibliothek Bamberg
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- Ethnologie
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https://gateway-bayern.de/BV049008551
Letzte Änderung: 19.06.2023
| Titel: | Dress cultures in Zambia |
|---|---|
| Untertitel: | interwoven histories, global exchanges, and everyday life |
| URL: | https://doi.org/10.1017/9781009350310 |
| URL Erlt Interna: | Verlag |
| URL Erlt Info: | URL des Erstveröffentlichers |
| Erläuterung : | Volltext |
| Von: | Karen Tranberg Hansen, Northwestern University |
| ISBN: | 978-1-00-935031-0 |
| Preis/Einband: | Online |
| Erscheinungsort: | Cambridge |
| Verlag: | Cambridge University Press |
| Erscheinungsjahr: | 2023 |
| DOI: | 10.1017/9781009350310 |
| Umfang: | 1 Online-Ressource (xi, 207 Seiten) |
| Fußnote : | Title from publisher's bibliographic system (viewed on 21 Apr 2023) |
| Fußnote : | Prologue: The global world of dress in Zambia -- Dress practice as history -- PART 1. Dressing Well. The migration nexus -- Dressing for freedom -- PART 2. Dress and Undress. Dress, undress, body, and nation -- Miniskirts and dangerous dress practice -- The dramaturgy of body politics -- PART 3. Fashionable Transformations. Youth and urban cultures of consumption -- Fashioning demonstrative displays -- Dressing Zambian -- A digital fitting room -- Conclusion |
| Abstract: | Drawing on half-a-century of research in Zambia and regional scholarship, Karen Tranberg Hansen offers a vibrant history of changing dress practices from the late-colonial period to the present day. Exploring how the dressed body serves as the point of contact between personal, local, and global experiences, she argues that dress is just as central to political power as it is to personal style. Questioning the idea that the West led fashion trends elsewhere, Hansen demonstrates how local dress conventions appropriated western dress influences as Zambian and shows how Zambia contributed to global fashions, such as the colourful Chitenge fabric that spread across colonial trading networks. Brought to life with colour illustrations and personal anecdotes, this book spotlights dress not only as an important medium through which Zambian identities are negotiated, but also as a key reflector and driver of history |
| Sprache: | eng |
| RVK-Notation: | LB 40565 |
| RVK-Notation: | LC 12565 |
| Andere Ausgabe: | Erscheint auch als |
| _Bemerkung: | Druck-Ausgabe (hardback) |
| _ISBN: | 9781009350365 |
| Andere Ausgabe: | Erscheint auch als |
| _Bemerkung: | Druck-Ausgabe (paperback) |
| _ISBN: | 9781009350341 |
| Thema (Schlagwort): | Sambia; Kleidung |
| Weitere Schlagwörter : | Clothing and dress / Cultural aspects / Zambia; Clothing and dress / Historical aspects / Zambia |
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| 500 | |a Prologue: The global world of dress in Zambia -- Dress practice as history -- PART 1. Dressing Well. The migration nexus -- Dressing for freedom -- PART 2. Dress and Undress. Dress, undress, body, and nation -- Miniskirts and dangerous dress practice -- The dramaturgy of body politics -- PART 3. Fashionable Transformations. Youth and urban cultures of consumption -- Fashioning demonstrative displays -- Dressing Zambian -- A digital fitting room -- Conclusion | ||
| 520 | |a Drawing on half-a-century of research in Zambia and regional scholarship, Karen Tranberg Hansen offers a vibrant history of changing dress practices from the late-colonial period to the present day. Exploring how the dressed body serves as the point of contact between personal, local, and global experiences, she argues that dress is just as central to political power as it is to personal style. Questioning the idea that the West led fashion trends elsewhere, Hansen demonstrates how local dress conventions appropriated western dress influences as Zambian and shows how Zambia contributed to global fashions, such as the colourful Chitenge fabric that spread across colonial trading networks. Brought to life with colour illustrations and personal anecdotes, this book spotlights dress not only as an important medium through which Zambian identities are negotiated, but also as a key reflector and driver of history | ||
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