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African art reframed
reflections and dialogues on museum cultureVerfasser: Jules-Rosette, Bennetta <1948->
(DE-588)170198847Verfasser: Osborn, J. R.
(DE-588)1144414687978-0-252-08519-2; 978-0-252-04327-7
Schlagwörter 1: Afrika
; Kunst ; Künstler ; Vermittlung ; Museumspädagogik ; Museumskunde ; Kunstsoziologie Schlagwörter 2: Afrika
; Kolonie ; Kolonialmacht ; Kunst ; Restitution <Kulturpolitik> 
Buch
(Services, Fernleihe und weitere eXtras)
Bestand im BVB:
Fach:
Letzte Änderung: 28.02.2023
MARC-Felder:
- Bibliothek des Zentralinstituts für Kunstgeschichte München (Sigel: 255 - Fernleihe in der Regel nur bei Alleinbesitz, Buchausleihe nur im Ausnahmefall)
- Universitätsbibliothek Würzburg (Sigel: 20)
- Bayerische Staatsbibliothek München (Sigel: 12)
- Museum Fünf Kontinente, Bibliothek (Sigel: M 350)
- Universitätsbibliothek Bayreuth (Sigel: 703)
Fach:
- Ethnologie
Permalink:
https://gateway-bayern.de/BV046784666
Letzte Änderung: 28.02.2023
| Titel: | African art reframed |
|---|---|
| Untertitel: | reflections and dialogues on museum culture |
| Von: | Bennetta Jules-Rosette, J.R. Osborn |
| ISBN: | 978-0-252-08519-2 |
| Preis/Einband: | (pbk.) |
| ISBN: | 978-0-252-04327-7 |
| Preis/Einband: | (hbk.) |
| Erscheinungsort: | Urbana ; Chicago ; Springfield |
| Verlag: | University of Illinois Press |
| Erscheinungsjahr: | [2020] |
| Umfang: | xxvi, 375 Seiten |
| Details: | Illustrationen |
| Abstract: | "Once seen as a collection of artifacts and ritual objects, African art now commands respect from museums and collectors. Bennetta Jules-Rosette and J.R. Osborn explore the reframing of African art through case studies of museums and galleries in the United States, Europe, and Africa. The authors take a three-pronged approach. Part One ranges from curiosity cabinets to virtual websites to offer a history of ethnographic and art museums and look at their organization and methods of reaching out to the public. In the second part, the authors examine museums as ecosystems and communities within communities, and they use semiotic methods to analyze images, signs, and symbols drawn from the experiences of curators and artists. The third part introduces innovative strategies for displaying, disseminating, and reclaiming African art. The authors also propose how to reinterpret the art inside and outside the museum and show ways of remixing the results. Drawing on extensive conversations with curators, collectors, and artists, African Art Reframed is an essential guide to building new exchanges and connections in the dynamic worlds of African and global art." |
| Sprache: | eng |
| RVK-Notation: | LB 34465 |
| Angaben zum Inhalt: | Entering museums at the threshold -- Dialogues on museum practices and art worlds -- Unmixing African art and remixing the results |
| Andere Ausgabe: | Erscheint auch als |
| _Bemerkung: | Online-Ausgabe |
| _ISBN: | 978-0-252-05215-6 |
| _ID der anderen Ausgabe: | (DE-604)BV046930635 |
| Thema (Schlagwort): | Afrika; Kunst; Künstler; Vermittlung; Museumspädagogik; Museumskunde; Kunstsoziologie; Afrika; Kolonie; Kolonialmacht; Kunst; Restitution |
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| 505 | 8 | |a Entering museums at the threshold -- Dialogues on museum practices and art worlds -- Unmixing African art and remixing the results | |
| 520 | 3 | |a "Once seen as a collection of artifacts and ritual objects, African art now commands respect from museums and collectors. Bennetta Jules-Rosette and J.R. Osborn explore the reframing of African art through case studies of museums and galleries in the United States, Europe, and Africa. The authors take a three-pronged approach. Part One ranges from curiosity cabinets to virtual websites to offer a history of ethnographic and art museums and look at their organization and methods of reaching out to the public. In the second part, the authors examine museums as ecosystems and communities within communities, and they use semiotic methods to analyze images, signs, and symbols drawn from the experiences of curators and artists. The third part introduces innovative strategies for displaying, disseminating, and reclaiming African art. The authors also propose how to reinterpret the art inside and outside the museum and show ways of remixing the results. Drawing on extensive conversations with curators, collectors, and artists, African Art Reframed is an essential guide to building new exchanges and connections in the dynamic worlds of African and global art." | |
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