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Vice, Crime, and Poverty

How the Western Imagination Invented the Underworld
Verfasser: Kalifa, Dominique <1957-2020>

(DE-588)138434476
Sonstige: Emanuel, Susan <1950->

(DE-588)1056145277
Sonstige: Maza, Sarah C. <1953->

(DE-588)129670537
978-0-231-54726-0
Schlagwörter: Literatur

; Unterwelt <Soziologie>

; Kriminalität <Motiv>

; Geschichte 1800-2000

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Zugang für Benutzer von: Hochschulbibliothek Amberg
Zugang für Benutzer von: Hochschulbibliothek Coburg
Zugang für Benutzer von: Hochschulbibliothek Kempten
Zugang für Benutzer von: Hochschulbibliothek Landshut
Zugang für Benutzer von: Technische Hochschule Aschaffenburg, Hochschulbibliothek
Zugang für Benutzer von: Technische Hochschule Augsburg, Hochschulbibliothek
Zugang für Benutzer von: Universität der Bundeswehr München, Universitätsbibliothek
Zugang für Benutzer von: Universitätsbibliothek Bamberg
Zugang für Benutzer von: Universitätsbibliothek Passau
Zugang für Benutzer von: Universitätsbibliothek Regensburg

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Soziologie

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https://gateway-bayern.de/BV045926157

Letzte Änderung: 03.12.2021

Titel:	Vice, Crime, and Poverty
Untertitel:	How the Western Imagination Invented the Underworld
URL:	https://doi.org/10.7312/kali18742
URL Erlt Interna:	Verlag
URL Erlt Info:	URL des Erstveröffentlichers
Erläuterung :	Volltext
Von:	Dominique Kalifa
ISBN:	978-0-231-54726-0
Erscheinungsort:	New York, NY
Verlag:	Columbia University Press
Erscheinungsjahr:	[2019]
Erscheinungsjahr:	© 2019
DOI:	10.7312/kali18742
Umfang:	1 online resource
Serie/Reihe:	European Perspectives: A Series in Social Thought and Cultural Criticism
Fußnote :	Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Apr 2019)
Abstract:	Beggars, outcasts, urchins, waifs, prostitutes, criminals, convicts, madmen, fallen women, lunatics, degenerates—part reality, part fantasy, these are the grotesque faces that populate the underworld, the dark inverse of our everyday world. Lurking in the mirror that we hold up to our society, they are our counterparts and our doubles, repelling us and yet offering the tantalizing promise of escape. Although these images testify to undeniable social realities, the sordid lower depths make up a symbolic and social imaginary that reflects our fears and anxieties—as well as our desires.In Vice, Crime, and Poverty, Dominique Kalifa traces the untold history of the concept of the underworld and its representations in popular culture. He examines how the myth of the lower depths came into being in nineteenth-century Europe, as biblical figures and Christian traditions were adapted for a world turned upside-down by the era of industrialization, democratization, and mass culture. From the Parisian demimonde to Victorian squalor, from the slums of New York to the sewers of Buenos Aires, Kalifa deciphers the making of an image that has cast an enduring spell on its audience. While the social conditions that created that underworld have changed, Vice, Crime, and Poverty shows that, from social-scientific ideas of the underclass to contemporary cinema and steampunk culture, its shadows continue to haunt us
Sprache:	eng
Fußnote :	In English
Thema (Schlagwort):	Literatur; Unterwelt; Kriminalität; Geschichte 1800-2000
Weitere Schlagwörter :	Criminals; History; Marginality, Social, in literature; Marginality, Social; Urban poor; History

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Vice, Crime, and Poverty; How the Western Imagination Invented the Underworld

B3Kat (1/1)

Vice, Crime, and Poverty