SolrQueryCompletionProxy
QueryCompletionProxy
 
     
Zurück zur Trefferliste

Modernism as memory; building identity in the Federal Republic of Germany

B3Kat (1/1)


Modernism as memory

building identity in the Federal Republic of Germany
Verfasser: James-Chakraborty, Kathleen <1960-> GND link to dataset open/close  GND search link open/close  (DE-588)122929918
978-1-5179-0291-9; 978-1-5179-0290-2
Schlagwörter: Deutschland <Bundesrepublik> GND link to dataset open/close  GND search link open/close  ; Architektur GND link to dataset open/close  GND search link open/close  ; Kollektives Gedächtnis GND link to dataset open/close  GND search link open/close  ; Kulturelle Identität GND link to dataset open/close  GND search link open/close 

 Buch
SFX (Services, Fernleihe und weitere eXtras)

Bestand im BVB:
Bestand im KOBV:
Externe Links:
  • Inhaltsverzeichnis

Fach:
  • Kunstgeschichte
  • Ethnologie
  • Architektur


Letzte Änderung: 24.02.2020
Titel:Modernism as memory
Untertitel:building identity in the Federal Republic of Germany
URL:http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=03014181...
Erläuterung :Inhaltsverzeichnis
Von:Kathleen James-Chakraborty
LoC-Nummer:017042182
ISBN:978-1-5179-0291-9
Preis/Einband:(pb)
ISBN:978-1-5179-0290-2
Preis/Einband:(hc)
Erscheinungsort:Minneapolis ; London
Verlag:University of Minnesota Press
Erscheinungsjahr:[2018]
Umfang:308 Seiten
Details:Illustrationen, Pläne
Fußnote :Includes bibliographical references and index
Abstract:"After World War II, West Germans and West Berliners found ways of communicating both their recent sufferings and aspirations for stable communities through buildings that fused the ruins of historicist structures with new constructions rooted in the modernism of the 1910s and '20s. As Modernism as Memory illustrates, these postwar practices undergird the approaches later taken in influential structures created or renovated in Berlin following the fall of the Wall, including the Jewish Museum and the Reichstag, the New Museum and the Topography of Terror. While others have characterized contemporary Berlin's museums and memorials as postmodern, Kathleen James-Chakraborty argues that these environments are examples of an "architecture of modern memory" that is much older, more complex, and historically contingent. She reveals that churches and museums repaired and designed before 1989 in Duren, Hanover, Munich, Neviges, Pforzheim, Stuttgart, and Weil am Rhein contributed to a modernist precedent for the relationship between German identity and the past developed since then in the Ruhr region and in Berlin. Modernism as Memory demonstrates that how one remembers can be detached from what one remembers, contrasting ruins with recollections of modernism to commemorate German suffering, the Holocaust, and the industrial revolution, as well as new spaces for Islam in the country"...
Sprache:eng
LoC-Notation:NA1068
RVK-Notation:LB 52015
RVK-Notation:LB 63000
RVK-Notation:LK 79550
TUM-Notation:ARC 925f
Fid-Notation:SKA
IFZ-Notation:x 64.2
IFZ-Notation:v 10.1
IFZ-Notation:b 280
IFZ-Notation:v 85
IFZ-Notation:v 44.1
IFZ-Notation:x 89
IFZ-Notation:v 44.3
IFZ-Notation:x 10.1
Thema (Schlagwort):Deutschland; Architektur; Kollektives Gedächtnis; Kulturelle Identität
Weitere Schlagwörter :ARCHITECTURE / History / Contemporary (1945-) / bisacsh; ARCHITECTURE / Criticism / bisacsh; Architecture; Germany (West); History; 20th century; Architecture and society; Germany (West); History; 20th century; Collective memory; Germany (West); ARCHITECTURE / History / Contemporary (1945-); ARCHITECTURE / Criticism

MARC-Felder:
LEADER00000nam a2200000 c 4500
001BV044746045
003DE-604
00520200224
007t
008180205s2018    xxua|||  |||| 00||| eng d
010 |a 017042182 
020 |a 9781517902919 |c (pb) |9 978-1-5179-0291-9 
020 |a 9781517902902 |c (hc) |9 978-1-5179-0290-2 
035 |a (OCoLC)1020287071 
035 |a (DE-599)BVBBV044746045 
040 |a DE-604 |b ger |e rda 
0410 |a eng 
044 |a xxu |c US 
049 |a DE-12 |a DE-M347 |a DE-11 |a DE-188 |a DE-M352 |a DE-91 
050 0|a NA1068 
0820 |a 720.943 |2 23 
084 |a SKA |q DE-11 |2 fid 
084 |a LB 52015 |0 (DE-625)90567:778 |2 rvk 
084 |a LB 63000 |0 (DE-625)90580:772 |2 rvk 
084 |a LK 79550 |0 (DE-625)98279: |2 rvk 
084 |a x 64.2 |2 ifzs 
084 |a v 10.1 |2 ifzs 
084 |a b 280 |2 ifzs 
084 |a v 85 |2 ifzs 
084 |a v 44.1 |2 ifzs 
084 |a x 89 |2 ifzs 
084 |a ARC 925f |2 stub 
084 |a v 44.3 |2 ifzs 
084 |a x 10.1 |2 ifzs 
1001 |a James-Chakraborty, Kathleen |d 1960- |e Verfasser |0 (DE-588)122929918 |4 aut 
24510|a Modernism as memory |b building identity in the Federal Republic of Germany |c Kathleen James-Chakraborty 
264 1|a Minneapolis ; London |b University of Minnesota Press |c [2018] 
300 |a 308 Seiten |b Illustrationen, Pläne 
336 |b txt |2 rdacontent 
337 |b n |2 rdamedia 
338 |b nc |2 rdacarrier 
500 |a Includes bibliographical references and index 
520 |a "After World War II, West Germans and West Berliners found ways of communicating both their recent sufferings and aspirations for stable communities through buildings that fused the ruins of historicist structures with new constructions rooted in the modernism of the 1910s and '20s. As Modernism as Memory illustrates, these postwar practices undergird the approaches later taken in influential structures created or renovated in Berlin following the fall of the Wall, including the Jewish Museum and the Reichstag, the New Museum and the Topography of Terror. While others have characterized contemporary Berlin's museums and memorials as postmodern, Kathleen James-Chakraborty argues that these environments are examples of an "architecture of modern memory" that is much older, more complex, and historically contingent. She reveals that churches and museums repaired and designed before 1989 in Duren, Hanover, Munich, Neviges, Pforzheim, Stuttgart, and Weil am Rhein contributed to a modernist precedent for the relationship between German identity and the past developed since then in the Ruhr region and in Berlin. Modernism as Memory demonstrates that how one remembers can be detached from what one remembers, contrasting ruins with recollections of modernism to commemorate German suffering, the Holocaust, and the industrial revolution, as well as new spaces for Islam in the country"... 
650 4|a ARCHITECTURE / History / Contemporary (1945-) / bisacsh 
650 4|a ARCHITECTURE / Criticism / bisacsh 
650 4|a Architecture |z Germany (West) |x History |y 20th century 
650 4|a Architecture and society |z Germany (West) |x History |y 20th century 
650 4|a Collective memory |z Germany (West) 
650 4|a ARCHITECTURE / History / Contemporary (1945-) 
650 4|a ARCHITECTURE / Criticism 
65007|a Kollektives Gedächtnis |0 (DE-588)4200793-8 |2 gnd |9 rswk-swf 
65007|a Kulturelle Identität |0 (DE-588)4033542-2 |2 gnd |9 rswk-swf 
65007|a Architektur |0 (DE-588)4002851-3 |2 gnd |9 rswk-swf 
651 7|a Deutschland |g Bundesrepublik |0 (DE-588)4011889-7 |2 gnd |9 rswk-swf 
68900|a Deutschland |g Bundesrepublik |0 (DE-588)4011889-7 |D g 
68901|a Architektur |0 (DE-588)4002851-3 |D s 
68902|a Kollektives Gedächtnis |0 (DE-588)4200793-8 |D s 
68903|a Kulturelle Identität |0 (DE-588)4033542-2 |D s 
6890 |5 DE-604 
85642|m LoC Fremddatenuebernahme |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030141814&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis 
9401 |n DHB 
9401 |q DHB_IFZ 
9401 |q BSB_NED_20200204 
94211|c 907.1 |e 22/bsb |f 0905 |g 43 
94211|c 907.1 |e 22/bsb |f 0904 |g 43 
94211|c 306.09 |e 22/bsb |f 0904 |g 43 
94211|c 306.09 |e 22/bsb |f 0905 |g 43 
999 |a oai:aleph.bib-bvb.de:BVB01-030141814