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Painting, literature, and film in Colombian feminine culture, 1940-2005
of border guards, nomads and womenPainting, Literature&Film in Colombian Feminine Culture, 1940–2005
Verfasser: Martin, Deborah
978-1-78204-091-0
Schlagwörter: Kolumbien
; Frauenfilm ; Frauenliteratur ; Frauenkunst ; Geschichte 1940-2005
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Letzte Änderung: 06.12.2016
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https://gateway-bayern.de/BV043939282
Letzte Änderung: 06.12.2016
| Titel: | Painting, literature, and film in Colombian feminine culture, 1940-2005 |
|---|---|
| Untertitel: | of border guards, nomads and women |
| URL: | http://www.cambridge.org/core/product/identifier/9781782040910/type/BOOK |
| URL Erlt Interna: | Verlag |
| URL Erlt Info: | URL des Erstveröffentlichers |
| Erläuterung : | Volltext |
| Von: | Deborah Martin |
| ISBN: | 978-1-78204-091-0 |
| Preis/Einband: | Online |
| Erscheinungsort: | Suffolk |
| Verlag: | Boydell&Brewer |
| Erscheinungsjahr: | 2012 |
| Umfang: | 1 online resource (x, 234 pages) |
| Fußnote : | Title from publisher's bibliographic system (viewed on 02 Oct 2015) |
| Abstract: | Women artists, writers and filmmakers in Colombia have consistently foregrounded the relationship between gender and the often violent processes which have marked the country's history over the past century. This book explores crucial moments in the emergence of feminine culture in Colombia hitherto unexamined in English-language criticism through an examination of the work of ground-breaking artist Débora Arango, best-selling novelist Laura Restrepo, and three generations of documentary filmmakers. Deborah Martin shows how Colombian women writers and artists have critiqued discourses that territorialize femininity and provided alternative models that free women from their passive or allegorical representational status as border guards, re-thinking feminine subjectivity and taking it to new symbolic territories. The book's approach - comparing art, literature and film - reveals a resistive trajectory in dialogue with dominant tendencies in Colombian feminist theory, itself the product of an intellectual sphere conditioned by the need to think about political violence. DEBORAH MARTIN is a Lecturer in Latin American Cultural Studies at University College London |
| Sprache: | eng |
| Angaben zum Inhalt: | Introduction -- The female body in Débora Arango -- Gender, identity, and desire in Larua Restrepo -- Women's documentary film: slipping discursive frames -- Conclusion |
| Andere Ausgabe: | Erscheint auch als |
| _Bemerkung: | Druckausgabe |
| _ISBN: | 978-1-85566-242-1 |
| Thema (Schlagwort): | Kolumbien; Frauenfilm; Frauenliteratur; Frauenkunst; Geschichte 1940-2005 |
| Weitere Schlagwörter : | Arango Pérez, Débora / Criticism and interpretation; Restrepo, Laura / Criticism and interpretation |
| Weitere Schlagwörter : | Geschichte 1900-2000 |
| Weitere Schlagwörter : | Alltag, Brauchtum; Frau; Women and the arts / Colombia; Women and literature / Colombia; Motion pictures and women / Colombia; Women / Colombia / Social life and customs / 20th century; Feminism / Colombia; Feminism and art / Colombia; Feminism and literature / Colombia; Feminism and motion pictures / Colombia; Documentary films / Colombia / History and criticism; Women in art; Women in literature |
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| 505 | 8 | |a Introduction -- The female body in Débora Arango -- Gender, identity, and desire in Larua Restrepo -- Women's documentary film: slipping discursive frames -- Conclusion | |
| 520 | |a Women artists, writers and filmmakers in Colombia have consistently foregrounded the relationship between gender and the often violent processes which have marked the country's history over the past century. This book explores crucial moments in the emergence of feminine culture in Colombia hitherto unexamined in English-language criticism through an examination of the work of ground-breaking artist Débora Arango, best-selling novelist Laura Restrepo, and three generations of documentary filmmakers. Deborah Martin shows how Colombian women writers and artists have critiqued discourses that territorialize femininity and provided alternative models that free women from their passive or allegorical representational status as border guards, re-thinking feminine subjectivity and taking it to new symbolic territories. The book's approach - comparing art, literature and film - reveals a resistive trajectory in dialogue with dominant tendencies in Colombian feminist theory, itself the product of an intellectual sphere conditioned by the need to think about political violence. DEBORAH MARTIN is a Lecturer in Latin American Cultural Studies at University College London | ||
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