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Running with the Devil
power, gender, and madness in heavy metal musicVerfasser: Walser, Robert
(DE-588)173404219978-0-8195-7515-9; 0-8195-7515-1; 978-0-8195-7514-2
Schlagwörter: Heavy Metal
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Letzte Änderung: 04.11.2019
MARC-Felder:
- Technische Hochschule Würzburg-Schweinfurt, Bibliothek (Sigel: 863)
- Hochschule für angewandte Wissenschaften Würzburg-Schweinfurt, Abteilungsbibliothek Schweinfurt (Sigel: 862)
- Hochschulbibliothek Amberg (Sigel: 1046)
- Hochschulbibliothek Weiden (Sigel: 1047)
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Zugang für Benutzer von: Hochschulbibliothek Amberg - Zugang für Benutzer von: Hochschulbibliothek Weiden
- Zugang für Benutzer von: Hochschule für angewandte Wissenschaften Würzburg-Schweinfurt, Abteilungsbibliothek Schweinfurt
- Zugang für Benutzer von: Technische Hochschule Würzburg-Schweinfurt, Bibliothek
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- Musikwissenschaft
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Letzte Änderung: 04.11.2019
| Titel: | Running with the Devil |
|---|---|
| Untertitel: | power, gender, and madness in heavy metal music |
| Von: | Robert Walser ; with a new afterword ; foreword by Harris M. Berger |
| ISBN: | 978-0-8195-7515-9 |
| ISBN: | 0-8195-7515-1 |
| ISBN: | 978-0-8195-7514-2 |
| Erscheinungsort: | Middletown, Conn. |
| Verlag: | Wesleyan University Press |
| Erscheinungsjahr: | © 2014 |
| Umfang: | 1 online resource (xxviii, 230 pages, [12] pages of plates |
| Fußnote : | Includes bibliographical references (pages 217-222) and index |
| Fußnote : | Includes discography |
| Fußnote : | Cover; Running with the Devil; Title; Copyright; Contents; Foreword to the 2014 Edition; Acknowledgments; Introduction; 1. Metallurgies: Genre, History, and the Construction of Heavy Metal; Genre and Commercial Mediation ; Casting Heavy Metal; Heavy Metal in the 1980s ; Headbangers; "Nasty, Brutish, and Short""? Rock Critics and Academics Evaluate Metal ; 2. Beyond the Vocals: Toward the Analysis ofPopular Musical Discourses ; Genre and Discourse ; Musicological Analysis ; Writing about Music; Metal as Discourse; "Ruinin' with the Devil" ; Negotiationand Pleasure |
| Fußnote : | 3. Eruptions: Heavy Metal Appropriations of Classical Virtuosity Classical Prestige and Popular Meanings; Ritchie Blackmore and the Classical Roots of Metal ; Edward Van Halen and the New Virtuosity; Randy Rhoads: Metal Gets Serious; Yngwie Malmsteen: Metal Augmented and Diminished ; Popular Music as Cultural Dialogue; 4. Forging Masculinity: Heavy Metal Sounds and Images of Gender ; Behind the Screen: Listening to Gender; No Girls Allowed: Exscription in Heavy Metal ; The Kiss of Death: Misogyny and the Male Victim; Living on a Prayer: Romance |
| Fußnote : | Nothing but a Good Time? Androgyny as a Political Party"Real Men Don't Wear Makeup"" ; 5. Can I Play with Madness? Mysticism, Horror, and Postmodern Politics ; Professing Censorship: The PMRC and Its Academic Allies Attack ; Suicide Solutions ; Mysticism and Postmodernism in Heavy Metal; Horror and History; Guns N' Roses N' Marx N' Engels ; Afterword to the 2014 Edition; Appendix 1: Heavy Metal Canons; Appendix 2: Heavy Metal Questionnaire; Notes; Select Discography; Select Bibliography; Index; About the Authors |
| Fußnote : | A comprehensive musical, social, and cultural analysis of heavy metal music, with a new foreword and afterword |
| Sprache: | eng |
| RVK-Notation: | LS 48635 |
| Thema (Schlagwort): | Heavy Metal |
| Weitere Schlagwörter : | Heavy metal (Music) / History and criticism; Heavy metal (Music); MUSIC / Genres&Styles / Heavy Metal; MUSIC / Genres&Styles / Punk; Heavy metal (Music); History and criticism |
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| 245 | 1 | 0 | |a Running with the Devil |b power, gender, and madness in heavy metal music |c Robert Walser ; with a new afterword ; foreword by Harris M. Berger |
| 264 | 1 | |a Middletown, Conn. |b Wesleyan University Press |c © 2014 | |
| 300 | |a 1 online resource (xxviii, 230 pages, [12] pages of plates | ||
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| 500 | |a Includes bibliographical references (pages 217-222) and index | ||
| 500 | |a Includes discography | ||
| 500 | |a Cover; Running with the Devil; Title; Copyright; Contents; Foreword to the 2014 Edition; Acknowledgments; Introduction; 1. Metallurgies: Genre, History, and the Construction of Heavy Metal; Genre and Commercial Mediation ; Casting Heavy Metal; Heavy Metal in the 1980s ; Headbangers; "Nasty, Brutish, and Short""? Rock Critics and Academics Evaluate Metal ; 2. Beyond the Vocals: Toward the Analysis ofPopular Musical Discourses ; Genre and Discourse ; Musicological Analysis ; Writing about Music; Metal as Discourse; "Ruinin' with the Devil" ; Negotiationand Pleasure | ||
| 500 | |a 3. Eruptions: Heavy Metal Appropriations of Classical Virtuosity Classical Prestige and Popular Meanings; Ritchie Blackmore and the Classical Roots of Metal ; Edward Van Halen and the New Virtuosity; Randy Rhoads: Metal Gets Serious; Yngwie Malmsteen: Metal Augmented and Diminished ; Popular Music as Cultural Dialogue; 4. Forging Masculinity: Heavy Metal Sounds and Images of Gender ; Behind the Screen: Listening to Gender; No Girls Allowed: Exscription in Heavy Metal ; The Kiss of Death: Misogyny and the Male Victim; Living on a Prayer: Romance | ||
| 500 | |a Nothing but a Good Time? Androgyny as a Political Party"Real Men Don't Wear Makeup"" ; 5. Can I Play with Madness? Mysticism, Horror, and Postmodern Politics ; Professing Censorship: The PMRC and Its Academic Allies Attack ; Suicide Solutions ; Mysticism and Postmodernism in Heavy Metal; Horror and History; Guns N' Roses N' Marx N' Engels ; Afterword to the 2014 Edition; Appendix 1: Heavy Metal Canons; Appendix 2: Heavy Metal Questionnaire; Notes; Select Discography; Select Bibliography; Index; About the Authors | ||
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| 650 | 4 | |a MUSIC / Genres&Styles / Punk | |
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