B3Kat (1/1)
Speaking Soviet with an accent
culture and power in KyrgyzstanCulture and power in Kyrgyzstan
Verfasser: Igmen, Ali F.
Körperschaft: Project Muse
0-8229-6206-3; 0-8229-7809-1; 978-0-8229-7809-1
Schlagwörter: Kirgisien ; Kulturverein ; Kulturelle Identität ; Geschichte 1920-1940
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Letzte Änderung: 26.11.2015
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- Soziologie
- Geschichte
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https://gateway-bayern.de/BV043085025
Letzte Änderung: 26.11.2015
Titel: | Speaking Soviet with an accent |
---|---|
Untertitel: | culture and power in Kyrgyzstan |
URL: | http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=829384 |
URL Erlt Interna: | Aggregator |
Erläuterung : | Volltext |
Von: | Ali F. Igmen |
ISBN: | 0-8229-6206-3 |
ISBN: | 0-8229-7809-1 |
ISBN: | 978-0-8229-7809-1 |
Erscheinungsort: | Pittsburgh, Pa. |
Verlag: | University of Pittsburgh Press |
Erscheinungsjahr: | 2012 (2012) |
Umfang: | 1 Online-Ressource (xi, 236 p.) |
Serie/Reihe: | Central Eurasia in context |
Fußnote : | "Speaking Soviet with an Accent presents the first English-language study of Soviet culture clubs in Kyrgyzstan. These clubs profoundly influenced the future of Kyrgyz cultural identity and fostered the work of many artists, such as famed novelist Chingiz Aitmatov. Based on extensive oral history and archival research, Ali Igmen follows the rise of culture clubs beginning in the 1920s, when they were established to inculcate Soviet ideology and create a sedentary lifestyle among the historically nomadic Kyrgyz people. These "Red clubs" are fondly remembered by locals as one of the few places where lively activities and socialization with other members of their ail (village or tribal unit) could be found. Through lectures, readings, books, plays, concerts, operas, visual arts, and cultural Olympiads, locals were exposed to Soviet notions of modernization. But these programs also encouraged the creation of a newfound "Kyrgyzness" that preserved aspects of local traditions and celebrated the achievements of Kyrgyz citizens in the building of a new state. These ideals proved appealing to many Kyrgyz, who, for centuries, had seen riches and power in the hands of a few tribal chieftains and Russian imperialists. This book offers new insights into the formation of modern cultural identity in Central Asia. Here, like their imperial predecessors, the Soviets sought to extend their physical borders and political influence. But Igmen also reveals the remarkable agency of the Kyrgyz people, who employed available resources to meld their own heritage with Soviet and Russian ideologies and form artistic expressions that continue to influence Kyrgyzstan today."--Project Muse |
Fußnote : | Includes bibliographical references and index |
Fußnote : | Introduction: crafting Kyrgyzness -- Being "Asiatic" subjects of the empire -- The making of Soviet culture in Kyrgyzstan during the 1920s and 1930s -- The emergence of the Soviet houses of culture in Kyrgyzstan -- Celebrations in Soviet Kyrgyzstan during the 1930s -- Soviet theater in Kyrgyzstan in the 1930s -- Self-fashioning Kyrgyzness among women -- Conclusion: speaking Soviet the Kyrgyz way |
Sprache: | eng |
RVK-Notation: | NQ 5055 |
RVK-Notation: | NQ 5067 |
Andere Ausgabe: | Erscheint auch als |
_Bemerkung: | Druck-Ausgabe, Paperback |
_ISBN: | 978-0-8229-6206-9 |
Thema (Schlagwort): | Kirgisien; Kulturverein; Kulturelle Identität; Geschichte 1920-1940 |
Weitere Schlagwörter : | Geschichte; Minderheit; Politik; Politics and culture; Kyrgyzstan; History; Popular culture; Kyrgyzstan; History; Kyrgyz; Cultural assimilation; Soviet Union; History; Minorities; Government policy; Soviet Union; History |
Weitere Schlagwörter : | Sowjetunion |
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500 | |a "Speaking Soviet with an Accent presents the first English-language study of Soviet culture clubs in Kyrgyzstan. These clubs profoundly influenced the future of Kyrgyz cultural identity and fostered the work of many artists, such as famed novelist Chingiz Aitmatov. Based on extensive oral history and archival research, Ali Igmen follows the rise of culture clubs beginning in the 1920s, when they were established to inculcate Soviet ideology and create a sedentary lifestyle among the historically nomadic Kyrgyz people. These "Red clubs" are fondly remembered by locals as one of the few places where lively activities and socialization with other members of their ail (village or tribal unit) could be found. Through lectures, readings, books, plays, concerts, operas, visual arts, and cultural Olympiads, locals were exposed to Soviet notions of modernization. But these programs also encouraged the creation of a newfound "Kyrgyzness" that preserved aspects of local traditions and celebrated the achievements of Kyrgyz citizens in the building of a new state. These ideals proved appealing to many Kyrgyz, who, for centuries, had seen riches and power in the hands of a few tribal chieftains and Russian imperialists. This book offers new insights into the formation of modern cultural identity in Central Asia. Here, like their imperial predecessors, the Soviets sought to extend their physical borders and political influence. But Igmen also reveals the remarkable agency of the Kyrgyz people, who employed available resources to meld their own heritage with Soviet and Russian ideologies and form artistic expressions that continue to influence Kyrgyzstan today."--Project Muse | ||
500 | |a Includes bibliographical references and index | ||
500 | |a Introduction: crafting Kyrgyzness -- Being "Asiatic" subjects of the empire -- The making of Soviet culture in Kyrgyzstan during the 1920s and 1930s -- The emergence of the Soviet houses of culture in Kyrgyzstan -- Celebrations in Soviet Kyrgyzstan during the 1930s -- Soviet theater in Kyrgyzstan in the 1930s -- Self-fashioning Kyrgyzness among women -- Conclusion: speaking Soviet the Kyrgyz way | ||
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650 | 7 | |a SOCIAL SCIENCE / Popular Culture |2 bisacsh | |
650 | 7 | |a HISTORY / General |2 bisacsh | |
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