839028970     

9839028979                        

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Calling the Shots : Aboriginal Photographies

Canberra : Aboriginal Studies Press, 2015

Online-Ressource (292 p)

Englisch

""Contents""; ""Acknowledgments""; ""Contributors""; ""Language and style""; ""CHAPTER 1 Introduction: The photographic encounter""; ""Visibility and Photography: A Brief History""; ""Photographs Today: Indigenous Cultural Heritage ""; ""Indigenous Artists""; ""Notes""; ""TASMANIA""; ""CHAPTER 2 Forgotten lives: The First Photographs of Tasmanian Aboriginal People ""; ""The first Photograph""; ""Control and Containment ""; ""The People Who Went to Oyster Cove""; ""The visiting Bishop and Too Little, Too Late""; ""Acknowledgments""; ""Notes""; ""NEW SOUTH WALES""

""CHAPTER 3 Photographing Indigenous People in New South Wales """"John William Lindt (1845-1926): Still Lives""; ""Links To Today""; ""Connecting with the Cowans ""; ""Trickery and Artifice""; ""Commercial Markets""; ""Intimacy and Reclamation""; ""Acknowledgments""; ""Notes""; ""CHAPTER 4 Picture Who We Are: Representations of Identity and the Appropriation of Photographs Into a Wiradjuri Oral History Tradition ""; ""Introduction""; ""Appropriating Representations ""; ""Meaning and Identity ""; ""Banking Identities""; ""Wiradjuri Excellence""; ""A Bidja""; ""Conclusion""; ""Notes""

""VICTORIA""""CHAPTER 5 Photographing Kooris: Photography and Exchange ""; ""Missionaries and Photography: 'Tell Jane I want Her Likeness' ""; ""Acknowledgments""; ""Notes""; ""QUEENSLAND""; ""CHAPTER 6 Aboriginal People and Four Early Brisbane Photographers ""; ""Portraits of Our Elders""; ""Early Brisbane Photographers""; ""John Watson""; ""William Knight""; ""Thomas Bevan""; ""Daniel Marquis""; ""Richard Daintree""; ""The Importance of Photographs""; ""Notes""; ""SOUTH AUSTRALIA""; ""CHAPTER 7 Photographing South Australian Indigenous People: 'Far More Gentlemanly Than Many'""

""Jackey and Jemima Gunlarnman""""'The Nucleus of the Native Church': Poonindie Mission""; ""1860s: Growing Circulation""; ""Ngarrindjeri and Point McLeay Mission ""; ""Acknowledgments""; ""Notes""; ""CHAPTER 8 'It's that Reflection': Photography as Recuperative Practice, a Ngarrindjeri Perspective""; ""'The Weaving of Our Stories and Our Movement in Family': Aunty Ellen's Album""; ""Queen Ethel""; ""Queen Louisa""; ""'Separated Under False Pretences': William and Patrick Brown""; ""Uncle Tom's Album: Remembering a Way of Life ""

""Aunty Charlotte Richards: A Pioneering Ngarrindjeri Photographer """"Aunty Joyce Kerswell: Keeper of the Archive and 'A Llady of History' ""; ""Memory and Photographic Loss""; ""Conclusion: Recuperation and the Weaving of our Stories Through Photography""; ""Acknowledgments""; ""Notes""; ""WESTERN AUSTRALIA""; ""CHAPTER 9 Photographing Aboriginal Australians in West Australia ""; ""The Mission Era""; ""A History of West Australian Photography""; ""Carte de Visite Photography""; ""Major Collections and Holding Places for Photographic Archives in Western Australia""

""Battye Library of Western Australia""

Description based upon print version of record

Print version: Calling the Shots : Aboriginal Photographies

978-1-922059-59-8

978-1-922059-59-8 (ISBN der Printausgabe)

OCoLC: 934665796     

978-1-922059-60-4 ( : 43.57 (UA))

Elektronische Ressource: Zugang über Aggregator-Datenbank (Lizenzangabe: Lizenzpflichtig)

GN665 -- .C35 2014eb

301     Ähnliche Literatur

LOC-SH: Electronic books ; Aboriginal Australians -- Social life and customs -- Pictorial works ; Aboriginal Australians -- Australia -- History -- Pictorial works ; Families, Aboriginal Australian -- Pictorial works

Aboriginal Australians ; Australia ; History ; Pictorial works ; Aboriginal Australians ; Social life and customs ; Pictorial works ; Families, Aboriginal Australian ; Pictorial works ; Electronic books

Intro -- Contents -- Acknowledgments -- Contributors -- Language and style -- CHAPTER 1 Introduction: The photographic encounter -- Visibility and Photography: A Brief History -- Photographs Today: Indigenous Cultural Heritage -- Indigenous Artists -- Notes -- TASMANIA -- CHAPTER 2 Forgotten lives: The First Photographs of Tasmanian Aboriginal People -- The first Photograph -- Control and Containment -- The People Who Went to Oyster Cove -- The visiting Bishop and Too Little, Too Late -- Acknowledgments -- Notes -- NEW SOUTH WALES -- CHAPTER 3 Photographing Indigenous People in New South Wales -- John William Lindt (1845-1926): Still Lives -- Links To Today -- Connecting with the Cowans -- Trickery and Artifice -- Commercial Markets -- Intimacy and Reclamation -- Acknowledgments -- Notes -- CHAPTER 4 Picture Who We Are: Representations of Identity and the Appropriation of Photographs Into a Wiradjuri Oral History Tradition -- Introduction -- Appropriating Representations -- Meaning and Identity -- Banking Identities -- Wiradjuri Excellence -- A Bidja -- Conclusion -- Notes -- VICTORIA -- CHAPTER 5 Photographing Kooris: Photography and Exchange -- Missionaries and Photography: 'Tell Jane I want Her Likeness' -- Acknowledgments -- Notes -- QUEENSLAND -- CHAPTER 6 Aboriginal People and Four Early Brisbane Photographers -- Portraits of Our Elders -- Early Brisbane Photographers -- John Watson -- William Knight -- Thomas Bevan -- Daniel Marquis -- Richard Daintree -- The Importance of Photographs -- Notes -- SOUTH AUSTRALIA -- CHAPTER 7 Photographing South Australian Indigenous People: 'Far More Gentlemanly Than Many' -- Jackey and Jemima Gunlarnman -- 'The Nucleus of the Native Church': Poonindie Mission -- 1860s: Growing Circulation -- Ngarrindjeri and Point McLeay Mission -- Acknowledgments -- Notes.