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* Ihre Aktion:   suchen [und] (PICA Prod.-Nr. [PPN]) 689904851
 Felder   ISBD   MARC21 (FL_924)   Citavi, Referencemanager (RIS)   Endnote Tagged Format   BibTex-Format   RDF-Format 
Online Ressourcen (ohne online verfügbare<BR> Zeitschriften und Aufsätze)
 
K10plusPPN: 
689904851     Zitierlink
SWB-ID: 
968990485X                        
Titel: 
Beteiligt: 
Körperschaft: 
Erschienen: 
New Haven, Conn : Human Relations Area Files, Inc, 2010
Sprache(n): 
Englisch
Schriftenreihe: 
Angaben zum Inhalt: 
Quito Quichua - Kathleen Fine-Dare - 2010 -- - Community in transition: Nayón - Ecuador - Ralph L. Beals - 1966 -- - Acculturation, economics, and social change in an Ecuadorean village - Ralph L. Beals - 1952 -- - Killing the Yumbo: a ritual drama of northern Quito - Frank Salomon - 1981


Sekundärausgabe
Gesamttitel: 
eHRAF World Cultures
Link zum Volltext: 


RVK-Notation: 
Sonstige Schlagwörter: 
Inhaltliche
Zusammenfassung: 
The documents in this collection focus on a time span from 1936 to 1978, although some contain considerable historical background information as far back as the Inca occupation and the Spanish Conquest in the sixteenth century. The fundamental ethnography, by Beals, is based on fieldwork conducted in the community of Nayón in 1949. It is a study of community organization emphasizing how the growing links between the traditional and national economies on the eastern outskirts of the capital city of Quito in Pichincha Province, and ways in which the resultant forces of acculturation are affecting social organization. Other prominent themes include the daily routines of life and forms of mutual aid. Beals follows up with an argument that encroaching urbanization with its pressures on land ownership is a more potent force for social change in Nayón than the lure of cultural assimilation (mestizaje) that accompanies economic integration. In a study of what were by the late 1970s the newly (sub)urbanized eastern barrios of Quito, Salomon validates Beals' hypothesis with a fascinating look at the psychological, religious, social, and philosophical dimensions of the Yumbo dancing that is part of the Corpus Christi festival, revealing how the costumed dance/dramatic performance is a means of reaffirming collective ethnic identity and asserting ethnic pride given increasingly nationalized and westernized surroundings and individual aspirations
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