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1. Introduction -- Part 1: Representations as Gendered Violence -- 2. Towards a conceptualization of second and third rape in Akan news coverage of Rape incidents in Ghana -- 3. Representing the victim: transnational feminist interventions on mass rapes in Bosnia-Herzegovina -- 4. Posing as a Hero / Harasser in the Age of Metoo: The Vári Case from Hungary and the Standards of Public Apology for Former Perpetrators of Sexual Harassment -- 5. Representing Human Trafficking as Gendered Violence -- 6. Do the Media Make Sexual Violence ‘Congolese’?: Phallo- and Ethnocentrism in the International Coverage of Dr Mukwege’s Story -- 7. War rapes as a tool of ethnic othering: the case of Norma Cossetto -- 8. Gender-Based Violence and the Romanian New Wave -- 9. From #MeToo to #NousToutes: The Emergence of a Transnational Francophone Feminism -- Part 2: Representations Exposing GBV -- 10. Mónica Mayer’s “The Clothesline Proyect”: Forty Years of Feminist Art Framing Violence Against Women in México -- 11. Representing Gender-Based Violence in Spain: Performance Protest, the #cuéntalo Movement, and Purple Friday -- 12. The Aesthetics of French #MeToo Activist Posters: Unveiling Ubiquity -- 13. Albinism and Gender-Based Violence in Africa: From literary representation to literary advocacy in African women’s writing -- 14. Homeless at Home: Gender and Violence in the Postcolonial Home in Inch’Allah dimanche by Yamina Benguigui -- 15. Acid attacks in Italy: gender-based violence, heteronormativity and media representation -- Part 3: Representations Contesting GBV -- 16. Why We Shouldn’t Call Rape ‘Sex Minus Consent' -- 17. Contending victimhoods: ‘comfort women’ neglection, denial and erasure -- 18. Russian Orthodox Church and survivors of domestic violence: hopes, expectations and media representation -- 19. Representation of Gendered Violence in “New Turkey” -- 20. Staging trauma and the traumatic staging of Wajdi Mouawad’s play Incendies -- 21. Topless in La Habana: The role of embodiment in representing gender violence.
This book focuses on the politics, ethics and stereotypical pitfalls of representational practices surrounding Gender-Based Violence (GBV) from a global perspective. The originality of the volume is linked to its cross-disciplinary perspective as the topic of representing GBV is analyzed across the domains of philosophy/epistemology, fiction and the arts (including literature, film, television series and music) and non-fictional representations in the media (including broadcast media, online/print journalism, transmedia activism). The volume identifies contemporary representational practices and the theoretical and critical responses, examining various aspects of popular culture from around the world. In doing so, the editors put feminism in conversation with global trends to identify its cultural frontline. The volume will appeal to scholars working on gender and violence from diverse fields. Dr Caroline Williamson Sinalo is Lecturer in World Languages at University College Cork, Ireland, author of Rwanda after Genocide: Gender, Identity and Posttraumatic Growth (2018) and co-author of Transmitting Memories in Rwanda: From a Survivor Parent to the next Generation (2022). She has published widely on the lives and experiences of survivors of violence. Dr Nicoletta Mandolini is Researcher at CECS-Universidade do Minho, Portugal, where she is working on a project on gender violence and its representation in comics and graphic novels. She is author of Representations of Lethal Gender-Based Violence in Italy between Journalism and Literature. Femminicidio Narratives (2021).