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* Ihre Aktion:   suchen [und] (PICA Prod.-Nr. [PPN]) 1772347744
 Felder   ISBD   MARC21 (FL_924)   Citavi, Referencemanager (RIS)   Endnote Tagged Format   BibTex-Format   RDF-Format 
Bücher, Karten, Noten
 
K10plusPPN: 
1772347744     Zitierlink
Titel: 
Plastic matter / Heather Davis
Autorin/Autor: 
Davis, Heather, 1979- [Verfasserin/Verfasser] info info
Erschienen: 
Durham ; London : Duke University Press, 2022
Umfang: 
xii, 161 Seiten : Illustrationen
Sprache(n): 
Englisch
Schriftenreihe: 
Anmerkung: 
Bibliography: Seite 135-153 and index
Bibliogr. Zusammenhang: 
Erscheint auch als: Plastic matter / Davis, Heather (Online-Ausgabe)
Erscheint auch als: Plastic matter / Davis, Heather (Online-Ausgabe)
ISBN: 
978-1-4780-1513-0 (hardcover); 978-1-4780-1775-2 (paperback)
978-1-4780-2237-4 (ISBN der parallelen Ausgabe im Fernzugriff)
LoC-Nr.: 
2021025560
Sonstige Nummern: 
OCoLC: 1299304683     see Worldcat


RVK-Notation: 
Sachgebiete: 
Sonstige Schlagwörter: 
Inhaltliche
Zusammenfassung: 
Complicated Inheritances -- Plastic Matter -- Plasticity -- Synthetic Universality -- Plastic Media -- Queer Kin -- Plastic Futures.

"Plastic is ubiquitous. It is in the Arctic, the depths of the Mariana Trench, and in the high mountaintops of the Pyrenees. It is in the air we breathe and the water we drink. Nanoplastics penetrate our cell walls. Plastic is not just any material-it is emblematic of life in the twentieth and twenty-first centuries. In Plastic Matter Heather Davis traces plastic's relations to geology, media, biology, and race to show how matter itself has come to be understood as pliable, disposable, and consumable. The invention and widespread use of plastic, Davis contends, reveals the dominance of the Western orientation to matter and its assumption that matter exists to be endlessly manipulated and controlled by humans. Plastic's materiality and pliability reinforces these expectations of what matter should be and do. Davis charts these relations to matter by tracing the queer multispecies relationships between humans and plastic-eating bacteria and analyzing photography that documents the racialized environmental violence of plastic production. In so doing, Davis provokes readers to reexamine their relationships to matter and life in light of plastic's saturation"--
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