1696702267     

Rivals and Conspirators : The Paris Salons and the Modern Art Centre

Newcastle upon Tyne : Cambridge Scholars Publishing, 2013

Online-Ressource (457 p)

Englisch

TABLE OF CONTENTS; ACKNOWLEDGEMENTS; GLOSSARY OF TERMS; PREFACE; INTRODUCTION; CHAPTER ONE; CHAPTER TWO; CHAPTER THREE; CHAPTER FOUR; CHAPTER FIVE; CHAPTER SIX; CHAPTER SEVEN; CHAPTER EIGHT; CHAPTER NINE; CONCLUSION; BIBLIOGRAPHY; INDEX

Description based upon print version of record

Print version: Rivals and Conspirators : The Paris Salons and the Modern Art Centre

978-1-4438-5376-7

978-1-4438-5376-7 (ISBN der Printausgabe)

790591081

Online-Ausg.

978-1-4438-6370-4 ( : 68.43 (NL))

Elektronische Ressource: Zugang über Aggregator-Datenbank (Lizenzangabe: Lizenzpflichtig)

Elektronische Ressource: Zugang über Aggregator-Datenbank (Lizenzangabe: Lizenzpflichtig)

N6850 .B73 2013

306.09 ; 709.4436107445451     Ähnliche Literatur

LOC-SH: Electronic books ; Art -- France -- Paris -- Exhibitions -- History ; Art, French -- France -- Paris -- 19th century -- History ; Art, French -- France -- Paris -- 20th century -- History

Art ; France ; Paris ; Exhibitions ; History ; Art, French ; France ; Paris ; 19th century ; History ; Art, French ; France ; Paris ; 20th century ; History ; Electronic books

Once the State-run Salon in Paris closed, an array of independent Salons mushroomed starting with the French Artists Salon and Women's Salon in 1881 followed by the Independent Artists' Salon, National Salon of Fine Arts and Autumn Salon. Offering an unparalleled choice of art identities and alliances, together with undreamed-of opportunities for sales, commissions, prizes and art criticism, these great Salons guaranteed the centripetal and centrifugal power of Paris as the ""modern art centre