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* Ihre Aktion:   suchen [und] (PICA Prod.-Nr. [PPN]) 1670379515
 Felder   ISBD   MARC21 (FL_924)   Citavi, Referencemanager (RIS)   Endnote Tagged Format   BibTex-Format   RDF-Format 
Bücher, Karten, Noten
 
K10plusPPN: 
1670379515     Zitierlink
Titel: 
Ambivalent : photography and visibility in African history / edited by Patricia Hayes and Gary Minkley
Beteiligt: 
Hayes, Patricia, 1909-1998 [Herausgeberin/-geber] info info ; Minkley, Gary [Herausgeberin/-geber] info info
Erschienen: 
Athens : Ohio University Press, [2019] [© 2019]
Umfang: 
xiii, 351 Seiten : Illustrationen
Sprache(n): 
Englisch
Schriftenreihe: 
Angaben zum Inhalt: 
Introduction : Africa and the ambivalence of seeing / Patricia Hayes and Gary Minkley
Coda : an expanded milieu / Patricia Hayes.
Anmerkung: 
Literaturverzeichnis: Seite 313-337. - Register
Bibliogr. Zusammenhang: 
Erscheint auch als: Ambivalent (Online-Ausgabe)
ISBN: 
978-0-8214-2394-3 (paperback); 978-0-8214-2393-6 (hardcover)
978-0-8214-4688-1 (ISBN der parallelen Ausgabe im Fernzugriff)
LoC-Nr.: 
2019031364
Sonstige Nummern: 
OCoLC: 1159428300     see Worldcat


Art und Inhalt: 
RVK-Notation: 
Sachgebiete: 
Fachinformationsdienst(e): FID-KUNST-DE-14
Schlagwortfolge: 
*Afrika info ; Fotografie info ; Geschichte ; Aufsatzsammlung     see Zum Register
Sonstige Schlagwörter: 
Inhaltliche
Zusammenfassung: 
"Going beyond photography as an isolated medium to engage larger questions and interlocking forms of expression and historical analysis, Ambivalent gathers a new generation of scholars based on the continent to offer an expansive frame for thinking about questions of photography and visibility in Africa. The volume presents African relationships with photography-and with visibility more generally-in ways that engage and disrupt the easy categories and genres that have characterized the field to date. Authors pose new questions concerning the instability of the identity photograph in South Africa; ethnographic photographs as potential history; humanitarian discourse from the perspective of photographic survivors of atrocity photojournalism; the nuanced passage from studio to screen in postcolonial digital portraiture; and the burgeoning visual activism in West Africa. As the contributors show, photography is itself a historical subject: it involves arrangement, financing, posture, positioning, and other kinds of work that are otherwise invisible. By moving us outside the frame of the photograph itself, by refusing to accept the photograph as the last word, this book makes photography into an engaging and important subject of historical investigation. Ambivalent's contributors bring photography into conversation with orality, travel writing, ritual, psychoanalysis, and politics, with new approaches to questions of race, time, and postcolonial and decolonial histories."--


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