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Sprache/n: | Englisch |
Veröffentlichungsangabe: | Iowa City : University of Iowa Press, c2003 |
Umfang: | xxviii, 245 p ; 25 cm |
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Anmerkung: | Includes bibliographical references (p. [209]-225) and index Electronic reproduction, Boulder, Colo : NetLibrary, 2004 |
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ISBN: | 1-58729-434-6 electronic bk. 0-87745-929-0 0-87745-836-7 acid-free paper 978-0-87745-836-4 acid-free paper 978-0-87745-929-3 978-1-58729-434-1 : electronic bk. |
Mehr zum Titel: | Women Poets and the Historical Avant-Gardes -- "Replacing the Noun": Fetishism, Parody, and Gertrude Stein's Tender Buttons -- "Crisis in Consciousness": Mina Loy's "Anglo-Mongrels and the Rose" -- Agendas of Race and Gender -- "a fo / real / revolu/shun": Sonia Sanchez and the Black Arts Movement -- Traditions of Marginality -- "Unsettling" America: Susan Howe and Antinomian Tradition -- "Belatedly Beladied Blues": Hybrid Traditions in the Poetry of Harryette Mullen Women Poets and the Historical Avant-Gardes"Replacing the Noun": Fetishism, Parody, and Gertrude Stein's Tender Buttons -- "Crisis in Consciousness": Mina Loy's "Anglo-Mongrels and the Rose" -- Agendas of Race and Gender -- "a fo / real / revolu/shun": Sonia Sanchez and the Black Arts Movement -- Traditions of Marginality -- "Unsettling" America: Susan Howe and Antinomian Tradition -- "Belatedly Beladied Blues": Hybrid Traditions in the Poetry of Harryette Mullen. |
Schlagwörter: | * American poetry -- 20th century -- History and criticism. ; Feminism and literature -- United States -- History -- 20th century. ; Avant-garde (Aesthetics) -- United States -- History -- 20th century. ; Women and literature -- United States -- History -- 20th century. ; American poetry -- Women authors -- History and criticism. ; Experimental poetry, American -- History and criticism. ; Feminist poetry, American -- History and criticism. ; Electronic books. ; American poetry -- History and criticism -- 20th century ; Feminism and literature -- History -- 20th century -- United States ; Avant-garde (Aesthetics) -- History -- 20th century -- United States ; Women and literature -- History -- 20th century -- United States ; American poetry -- Women authors -- History and criticism ; Experimental poetry, American -- History and criticism ; Feminist poetry, American -- History and criticism ; Avant-garde (Aesthetics) -- United States -- History -- 20th century ; Women and literature -- United States -- History -- 20th century ; American poetry -- Women authors -- History and criticism ; Experimental poetry, American -- History and criticism ; Feminist poetry, American -- History and criticism ; American poetry -- 20th century -- History and criticism ; Feminism and literature -- United States -- History -- 20th century ; Experimental poetry, American -- History and criticism ; Feminist poetry, American -- History and criticism ; American poetry -- 20th century -- History and criticism ; Feminism and literature -- United States -- History -- 20th century ; American poetry -- Women authors -- History and criticism ; Avant-garde (Aesthetics) -- United States -- History -- 20th century ; Women and literature -- United States -- History -- 20th century ; American poetry -- 20th century -- History and criticism. ; Feminism and literature -- United States -- History -- 20th century. ; Avant-garde (Aesthetics) -- United States -- History -- 20th century. ; Women and literature -- United States -- History -- 20th century. ; American poetry -- Women authors -- History and criticism. ; Experimental poetry, American -- History and criticism. ; Feminist poetry, American -- History and criticism. ; Electronic books. |
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Mehr zum Thema: | Klassifikation der Library of Congress: PS310.F45 |
Inhalt: | Women Poets and the Historical Avant-Gardes -- "Replacing the Noun": Fetishism, Parody, and Gertrude Stein's Tender Buttons -- "Crisis in Consciousness": Mina Loy's "Anglo-Mongrels and the Rose" -- Agendas of Race and Gender -- "a fo / real / revolu/shun": Sonia Sanchez and the Black Arts Movement -- Traditions of Marginality -- "Unsettling" America: Susan Howe and Antinomian Tradition -- "Belatedly Beladied Blues": Hybrid Traditions in the Poetry of Harryette Mullen; Geschichte 1910-2000; 1900 - 1999 |
Veröffentlichungsangabe: | Boulder, Colo : NetLibrary, 2004 |
Hersteller: | Boulder, Colo : NetLibrary |
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Umfang: | Online-Ressource |
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Anmerkung: | Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt. |
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