Faking, forging, counterfeiting : discredited practices at the margins of mimesis / Daniel Becker, Annalisa Fischer, Yola Schmitz (eds.) in collaboration with Simone Niehoff and Florencia Sannders

Becker, Daniel [HerausgeberIn] ; Fischer, Annalisa [HerausgeberIn] ; Schmitz, Yola *1985-* [HerausgeberIn] ; Niehoff, Simone *1986-* [MitwirkendeR] ; Sannders, Florencia [MitwirkendeR]

Englisch

Bielefeld : transcript ; Bielefeld, Germany : transcript Verlag, 2017

245 Seiten : Illustrationen

978-3-8376-3762-5 electronic bk.

3-8394-3762-8 electronic bk.

3-8376-3762-X

3-8394-3762-8 : electronic bk.

978-3-8376-3762-5

978-3-8394-3762-9 : electronic bk.

9783837637625

*Art -- Forgeries -- History ; Electronic books ; Art

*Electronic books ; History ; History: specific events and topics ; Humanities ; Social and cultural history ; HISTORY ; Social History ; Social & cultural history ; Art ; Forgeries ; Conference papers and proceedings ; Conference papers and proceedings ; History

Klassifikation der Library of Congress: N8790

Dewey Dezimal-Klassifikation: 900;

bisacsh: HIS 054000

Book Industry Communication: HBTB

Preface -- Six Degrees of Separation. The Foax as More Forgery: The Art of Deception The Artist and the Mountebank. Rochesters Alexander Bendo and the Dynamics of Forgery and Illusion in 17th-Century Art Aping the Master. 19th-Century Voltaire Pastiches and the Anxieties of Modern Authorship Fracture, Facture and the Collecting of Islamic Art Shape-shifters of Transculturation. Giovanni Bastianinis Forgeries as Embodiment of an Aesthetic Patriotism Fake Supreme. William Gaddis and the Art of Recognition Reflections on Plagiarismin Jorge Luis Borgess Works. The case of Pablo Katchadjians El Aleph engordado ?I have chosen to write notes on imaginary books?. On the Forgery of Textual Sources Faked Translations. James Macphersons Ossianic Poetry Creating a Cult, Faking Relics. The Case of St. Dominic of Soriano Desiring Fakes. AI, Avatars, and the Body of Fake Information in Digital Art Unmasking the Fake. Theatrical Hoaxes from the Dreadnought Hoax to Contemporary Artivist Practice

Preface -- Six Degrees of Separation. The Foax as More Forgery: The Art of Deception The Artist and the Mountebank. Rochesters Alexander Bendo and the Dynamics of Forgery and Illusion in 17th-Century Art Aping the Master. 19th-Century Voltaire Pastiches and the Anxieties of Modern Authorship Fracture, Facture and the Collecting of Islamic Art Shape-shifters of Transculturation. Giovanni Bastianinis Forgeries as Embodiment of an Aesthetic Patriotism Fake Supreme. William Gaddis and the Art of Recognition Reflections on Plagiarismin Jorge Luis Borgess Works. The case of Pablo Katchadjians El Aleph engordado ?I have chosen to write notes on imaginary books?. On the Forgery of Textual Sources Faked Translations. James Macphersons Ossianic Poetry Creating a Cult, Faking Relics. The Case of St. Dominic of Soriano Desiring Fakes. AI, Avatars, and the Body of Fake Information in Digital Art Unmasking the Fake. Theatrical Hoaxes from the Dreadnought Hoax to Contemporary Artivist Practice

Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt.