B3Kat (1/1)
Tropical Riffs
Latin America and the Politics of JazzVerfasser: Borge, Jason
978-0-8223-7233-2
Computerdatei
(Services, Fernleihe und weitere eXtras)
Bestand im BVB:
Volltext-Links:
Fach:
Letzte Änderung: 07.12.2020
MARC-Felder:
- Hochschulbibliothek Kempten (Sigel: 859)
- Technische Hochschule Aschaffenburg, Hochschulbibliothek (Sigel: 1043)
- Hochschulbibliothek Coburg (Sigel: 858)
- Technische Hochschule Augsburg, Hochschulbibliothek (Sigel: Aug 4)
- Universitätsbibliothek Bamberg (Sigel: 473)
- Universitätsbibliothek Passau (Sigel: 739)
- Hochschulbibliothek Landshut (Sigel: 860)
- Hochschulbibliothek Amberg (Sigel: 1046)
Volltext-Links:
- Zugang für Benutzer von: Hochschulbibliothek Amberg
- Zugang für Benutzer von: Hochschulbibliothek Coburg
- Zugang für Benutzer von: Hochschulbibliothek Kempten
- Zugang für Benutzer von: Hochschulbibliothek Landshut
- Zugang für Benutzer von: Technische Hochschule Aschaffenburg, Hochschulbibliothek
- Zugang für Benutzer von: Technische Hochschule Augsburg, Hochschulbibliothek
- Zugang für Benutzer von: Universitätsbibliothek Bamberg
- Zugang für Benutzer von: Universitätsbibliothek Passau
Fach:
- Soziologie
Permalink:
https://gateway-bayern.de/BV047048082
Letzte Änderung: 07.12.2020
Titel: | Tropical Riffs |
---|---|
Untertitel: | Latin America and the Politics of Jazz |
URL: | https://www.degruyter.com/isbn/9780822372332 |
URL Erlt Interna: | Verlag |
URL Erlt Info: | URL des Erstveröffentlichers |
Erläuterung : | Volltext |
Von: | Jason Borge |
ISBN: | 978-0-8223-7233-2 |
Erscheinungsort: | Durham |
Verlag: | Duke University Press |
Erscheinungsjahr: | [2018] |
Erscheinungsjahr: | © 2018 |
DOI: | 10.1515/9780822372332 |
Umfang: | 1 online resource (280 pages) |
Details: | 13 illustrations |
Fußnote : | Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Sep 2020) |
Abstract: | In Tropical Riffs Jason Borge traces how jazz helped forge modern identities and national imaginaries in Latin America during the mid-twentieth century. Across Latin America jazz functioned as a conduit through which debates about race, sexuality, nation, technology, and modernity raged in newspapers, magazines, literature, and film. For Latin American audiences, critics, and intellectuals-who often understood jazz to stem from social conditions similar to their own-the profound penetration into the fabric of everyday life of musicians like Duke Ellington, Dizzy Gillespie, and Charlie Parker represented the promises of modernity while simultaneously posing a threat to local and national identities. Brazilian antijazz rhetoric branded jazz as a problematic challenge to samba and emblematic of Americanization. In Argentina jazz catalyzed discussions about musical authenticity, race, and national culture, especially in relation to tango. And in Cuba, the widespread popularity of Chano Pozo and Dámaso Pérez Prado popularity challenged the United States' monopoly on jazz. Outlining these hemispheric flows of ideas, bodies, and music, Borge elucidates how "America's art form" was, and remains, a transnational project and a collective idea |
Sprache: | eng |
Fußnote : | In English |
Weitere Schlagwörter : | Jazz; Social aspects; Latin America; Jazz; Latin America; History; 20th century; Jazz; Latin America; 20th century; History and criticism |
LEADER | 00000nmm a2200000zc 4500 | ||
---|---|---|---|
001 | BV047048082 | ||
003 | DE-604 | ||
007 | cr|uuu---uuuuu | ||
008 | 201207s2018 |||| o||u| ||||||eng d | ||
020 | |a 9780822372332 |9 978-0-8223-7233-2 | ||
024 | 7 | |a 10.1515/9780822372332 |2 doi | |
035 | |a (ZDB-23-DGG)9780822372332 | ||
035 | |a (OCoLC)1226702674 | ||
035 | |a (DE-599)BVBBV047048082 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-1046 |a DE-Aug4 |a DE-859 |a DE-860 |a DE-473 |a DE-739 |a DE-1043 |a DE-858 | ||
082 | 0 | |a 306.48425098 | |
100 | 1 | |a Borge, Jason |e Verfasser |4 aut | |
245 | 1 | 0 | |a Tropical Riffs |b Latin America and the Politics of Jazz |c Jason Borge |
264 | 1 | |a Durham |b Duke University Press |c [2018] | |
264 | 4 | |c © 2018 | |
300 | |a 1 online resource (280 pages) |b 13 illustrations | ||
336 | |b txt |2 rdacontent | ||
337 | |b c |2 rdamedia | ||
338 | |b cr |2 rdacarrier | ||
500 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Sep 2020) | ||
520 | |a In Tropical Riffs Jason Borge traces how jazz helped forge modern identities and national imaginaries in Latin America during the mid-twentieth century. Across Latin America jazz functioned as a conduit through which debates about race, sexuality, nation, technology, and modernity raged in newspapers, magazines, literature, and film. For Latin American audiences, critics, and intellectuals-who often understood jazz to stem from social conditions similar to their own-the profound penetration into the fabric of everyday life of musicians like Duke Ellington, Dizzy Gillespie, and Charlie Parker represented the promises of modernity while simultaneously posing a threat to local and national identities. Brazilian antijazz rhetoric branded jazz as a problematic challenge to samba and emblematic of Americanization. In Argentina jazz catalyzed discussions about musical authenticity, race, and national culture, especially in relation to tango. And in Cuba, the widespread popularity of Chano Pozo and Dámaso Pérez Prado popularity challenged the United States' monopoly on jazz. Outlining these hemispheric flows of ideas, bodies, and music, Borge elucidates how "America's art form" was, and remains, a transnational project and a collective idea | ||
546 | |a In English | ||
650 | 7 | |a MUSIC / Genres&Styles / Jazz |2 bisacsh | |
650 | 4 | |a Jazz |x Social aspects |z Latin America | |
650 | 4 | |a Jazz |z Latin America |x History |y 20th century | |
650 | 4 | |a Jazz |z Latin America |y 20th century |x History and criticism | |
856 | 4 | 0 | |u https://www.degruyter.com/isbn/9780822372332 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
912 | |a ZDB-23-DGG | ||
966 | e | |u https://www.degruyter.com/isbn/9780822372332 |l DE-1043 |p ZDB-23-DGG |q FAB_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://www.degruyter.com/isbn/9780822372332 |l DE-1046 |p ZDB-23-DGG |q FAW_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://www.degruyter.com/isbn/9780822372332 |l DE-Aug4 |p ZDB-23-DGG |q FHA_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://www.degruyter.com/isbn/9780822372332 |l DE-859 |p ZDB-23-DGG |q FKE_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://www.degruyter.com/isbn/9780822372332 |l DE-860 |p ZDB-23-DGG |q FLA_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://www.degruyter.com/isbn/9780822372332 |l DE-473 |p ZDB-23-DGG |q UBG_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://www.degruyter.com/isbn/9780822372332 |l DE-739 |p ZDB-23-DGG |q UPA_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://www.degruyter.com/isbn/9780822372332 |l DE-858 |p ZDB-23-DGG |q FCO_PDA_DGG |x Verlag |3 Volltext | |
999 | |a oai:aleph.bib-bvb.de:BVB01-032455478 |