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After the dance, the drum is heavy
carnival, politics, and musical engagement in HaitiVerfasser: Dirksen, Rebecca <ca. 20./21. Jh.>
(DE-588)1124427406978-0-19-092809-4
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Letzte Änderung: 30.11.2021
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https://gateway-bayern.de/BV046716427
Letzte Änderung: 30.11.2021
| Titel: | After the dance, the drum is heavy |
|---|---|
| Untertitel: | carnival, politics, and musical engagement in Haiti |
| URL: | https://doi.org/10.1093/oso/9780190928056.001.0001 |
| URL Erlt Interna: | Verlag |
| URL Erlt Info: | URL des Erstveröffentlichers |
| Erläuterung : | Volltext |
| Von: | Rebecca Dirksen |
| ISBN: | 978-0-19-092809-4 |
| Preis/Einband: | Online |
| Erscheinungsort: | New York |
| Verlag: | Oxford University Press |
| Erscheinungsjahr: | 2020 |
| DOI: | 10.1093/oso/9780190928056.001.0001 |
| Umfang: | 1 Online-Ressource (464 Seiten) |
| Details: | Illustrationen |
| Serie/Reihe: | Currents in Latin American&Iberian music |
| Serie/Reihe: | Oxford scholarship online |
| Fußnote : | Includes bibliographical references and index |
| Abstract: | Richly ethnographic, After the Dance, the Drums Are Heavy is a study of carnival, politics, and the musical engagement of ordinary citizens and celebrity musicians in contemporary Haiti. The book explores how the self-declared president of konpa Sweet Micky (Michel Martelly) rose to the nation's highest office while methodically crafting a political product inherently entangled with his musical product. It offers deep historical perspective on the characteristics of carnivalesque verbal play-and the performative skillset of the artist (Sweet Micky) who dominated carnival for more than a decade-including vulgarities and polemics. Drawing on more than a decade and a half of ethnographic research, Rebecca Dirksen presents an in-depth consideration of politically and socially engaged music and what these expressions mean for the Haitian population |
| Sprache: | eng |
| Fid-Notation: | MUS |
| Andere Ausgabe: | Erscheint auch als |
| _Bemerkung: | Druck-Ausgabe |
| _ISBN: | 978-0-19092-805-6 |
| Weitere Schlagwörter : | Music / Political aspects / Haiti; Carnival / Haiti |
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| 245 | 1 | 0 | |a After the dance, the drum is heavy |b carnival, politics, and musical engagement in Haiti |c Rebecca Dirksen |
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| 490 | 0 | |a Currents in Latin American&Iberian music | |
| 490 | 0 | |a Oxford scholarship online | |
| 500 | |a Includes bibliographical references and index | ||
| 520 | |a Richly ethnographic, After the Dance, the Drums Are Heavy is a study of carnival, politics, and the musical engagement of ordinary citizens and celebrity musicians in contemporary Haiti. The book explores how the self-declared president of konpa Sweet Micky (Michel Martelly) rose to the nation's highest office while methodically crafting a political product inherently entangled with his musical product. It offers deep historical perspective on the characteristics of carnivalesque verbal play-and the performative skillset of the artist (Sweet Micky) who dominated carnival for more than a decade-including vulgarities and polemics. Drawing on more than a decade and a half of ethnographic research, Rebecca Dirksen presents an in-depth consideration of politically and socially engaged music and what these expressions mean for the Haitian population | ||
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