B3Kat (1/1)
Running with the Devil
power, gender, and madness in heavy metal musicVerfasser: Walser, Robert (DE-588)173404219
978-0-8195-7514-2
Schlagwörter: Heavy Metal
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Letzte Änderung: 26.10.2017
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https://gateway-bayern.de/BV044534435
Letzte Änderung: 26.10.2017
Titel: | Running with the Devil |
---|---|
Untertitel: | power, gender, and madness in heavy metal music |
Von: | Robert Walser ; with a new afterword ; foreword by Harris M. Berger |
ISBN: | 978-0-8195-7514-2 |
Erscheinungsort: | Middletown, Conn. |
Verlag: | Wesleyan University Press |
Erscheinungsjahr: | [2014] |
Erscheinungsjahr: | © 2014 |
Umfang: | XXVIII, 230 Seiten |
Sprache: | eng |
RVK-Notation: | LS 48635 |
Angaben zum Inhalt: | Includes bibliographical references (pages 217-222) and index |
Angaben zum Inhalt: | Includes discography |
Angaben zum Inhalt: | Cover; Running with the Devil; Title; Copyright; Contents; Foreword to the 2014 Edition; Acknowledgments; Introduction; 1. Metallurgies: Genre, History, and the Construction of Heavy Metal; Genre and Commercial Mediation ; Casting Heavy Metal; Heavy Metal in the 1980s ; Headbangers; "Nasty, Brutish, and Short""? Rock Critics and Academics Evaluate Metal ; 2. Beyond the Vocals: Toward the Analysis ofPopular Musical Discourses ; Genre and Discourse ; Musicological Analysis ; Writing about Music; Metal as Discourse; "Ruinin' with the Devil" ; Negotiationand Pleasure |
Angaben zum Inhalt: | 3. Eruptions: Heavy Metal Appropriations of Classical Virtuosity Classical Prestige and Popular Meanings; Ritchie Blackmore and the Classical Roots of Metal ; Edward Van Halen and the New Virtuosity; Randy Rhoads: Metal Gets Serious; Yngwie Malmsteen: Metal Augmented and Diminished ; Popular Music as Cultural Dialogue; 4. Forging Masculinity: Heavy Metal Sounds and Images of Gender ; Behind the Screen: Listening to Gender; No Girls Allowed: Exscription in Heavy Metal ; The Kiss of Death: Misogyny and the Male Victim; Living on a Prayer: Romance |
Angaben zum Inhalt: | Nothing but a Good Time? Androgyny as a Political Party"Real Men Don't Wear Makeup"" ; 5. Can I Play with Madness? Mysticism, Horror, and Postmodern Politics ; Professing Censorship: The PMRC and Its Academic Allies Attack ; Suicide Solutions ; Mysticism and Postmodernism in Heavy Metal; Horror and History; Guns N' Roses N' Marx N' Engels ; Afterword to the 2014 Edition; Appendix 1: Heavy Metal Canons; Appendix 2: Heavy Metal Questionnaire; Notes; Select Discography; Select Bibliography; Index; About the Authors |
Angaben zum Inhalt: | A comprehensive musical, social, and cultural analysis of heavy metal music, with a new foreword and afterword |
Andere Ausgabe: | Erscheint auch als |
_Bemerkung: | Online-Ausgabe |
_ISBN: | 978-0-8195-7515-9 |
Thema (Schlagwort): | Heavy Metal |
Weitere Schlagwörter : | Heavy metal (Music) / History and criticism; Heavy metal (Music); MUSIC / Genres&Styles / Heavy Metal; MUSIC / Genres&Styles / Punk; Heavy metal (Music); History and criticism |
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245 | 1 | 0 | |a Running with the Devil |b power, gender, and madness in heavy metal music |c Robert Walser ; with a new afterword ; foreword by Harris M. Berger |
264 | 1 | |a Middletown, Conn. |b Wesleyan University Press |c [2014] | |
264 | 4 | |c © 2014 | |
300 | |a XXVIII, 230 Seiten | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
505 | 8 | |a Includes bibliographical references (pages 217-222) and index | |
505 | 8 | |a Includes discography | |
505 | 8 | |a Cover; Running with the Devil; Title; Copyright; Contents; Foreword to the 2014 Edition; Acknowledgments; Introduction; 1. Metallurgies: Genre, History, and the Construction of Heavy Metal; Genre and Commercial Mediation ; Casting Heavy Metal; Heavy Metal in the 1980s ; Headbangers; "Nasty, Brutish, and Short""? Rock Critics and Academics Evaluate Metal ; 2. Beyond the Vocals: Toward the Analysis ofPopular Musical Discourses ; Genre and Discourse ; Musicological Analysis ; Writing about Music; Metal as Discourse; "Ruinin' with the Devil" ; Negotiationand Pleasure | |
505 | 8 | |a 3. Eruptions: Heavy Metal Appropriations of Classical Virtuosity Classical Prestige and Popular Meanings; Ritchie Blackmore and the Classical Roots of Metal ; Edward Van Halen and the New Virtuosity; Randy Rhoads: Metal Gets Serious; Yngwie Malmsteen: Metal Augmented and Diminished ; Popular Music as Cultural Dialogue; 4. Forging Masculinity: Heavy Metal Sounds and Images of Gender ; Behind the Screen: Listening to Gender; No Girls Allowed: Exscription in Heavy Metal ; The Kiss of Death: Misogyny and the Male Victim; Living on a Prayer: Romance | |
505 | 8 | |a Nothing but a Good Time? Androgyny as a Political Party"Real Men Don't Wear Makeup"" ; 5. Can I Play with Madness? Mysticism, Horror, and Postmodern Politics ; Professing Censorship: The PMRC and Its Academic Allies Attack ; Suicide Solutions ; Mysticism and Postmodernism in Heavy Metal; Horror and History; Guns N' Roses N' Marx N' Engels ; Afterword to the 2014 Edition; Appendix 1: Heavy Metal Canons; Appendix 2: Heavy Metal Questionnaire; Notes; Select Discography; Select Bibliography; Index; About the Authors | |
505 | 8 | |a A comprehensive musical, social, and cultural analysis of heavy metal music, with a new foreword and afterword | |
650 | 4 | |a Heavy metal (Music) / History and criticism | |
650 | 4 | |a Heavy metal (Music) | |
650 | 4 | |a MUSIC / Genres&Styles / Heavy Metal | |
650 | 4 | |a MUSIC / Genres&Styles / Punk | |
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650 | 7 | |a Heavy metal (Music) |2 fast | |
650 | 4 | |a Heavy metal (Music) |x History and criticism | |
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