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Some liked it hot
jazz women in film and television, 1928-1959Verfasser: McGee, Kristin A.
978-0-8195-6967-7
Schlagwörter 1: USA
; Film ; Jazz ; Damenkapelle ; Geschichte 1928-1959Schlagwörter 2: USA
; Jazzmusikerin ; Film ; Geschichte 1928-1959
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Letzte Änderung: 17.02.2017
MARC-Felder:
- Bibliothek des Kunsthistorischen Instituts in Florenz (Sigel: Y 3 - keine Buchausleihe, Kopienversand nur bei Alleinbesitz)
- Bibliothek des Zentralinstituts für Kunstgeschichte München (Sigel: 255 - Fernleihe in der Regel nur bei Alleinbesitz, Buchausleihe nur im Ausnahmefall)
Volltext-Links:
Zugang für Benutzer von: Bibliothek des Kunsthistorischen Instituts in Florenz - Zugang für Benutzer von: Bibliothek des Zentralinstituts für Kunstgeschichte München
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- Allgemeines
- Musikwissenschaft
Permalink:
https://gateway-bayern.de/BV044158062
Letzte Änderung: 17.02.2017
| Titel: | Some liked it hot |
|---|---|
| Untertitel: | jazz women in film and television, 1928-1959 |
| Von: | Kristin A. McGee |
| ISBN: | 978-0-8195-6967-7 |
| Preis/Einband: | Online |
| Erscheinungsort: | Middletown, Conn. |
| Verlag: | Wesleyan University Press |
| Erscheinungsjahr: | c2009 |
| Umfang: | xv, 316 p. |
| Serie/Reihe: | Music/culture |
| Fußnote : | Includes bibliographical references and index |
| Freitext: | Jazz culture and all-girls films. The feminization of mass culture and the novelty of all-girl bands -- The Ingenues and the Harlem Playgirls -- All-girl bands and sound films in the swing era. Phil Spitalny's Musical Queens -- The "blonde bombshell of swing": Ina Ray Hutton and her Melodears -- Soundies and features during the 1940s. Swinging the classics: Hazel Scott and Hollywood's musical-racial matrix -- Pinups, patriotism, and feminized genres -- Swing-centered films and the hour of charm -- The International Sweethearts of Rhythm and independent black sound film -- Variety television and the 1950s. Television, vaudeo, and female musical hosts -- Variety television revives all-girl bands -- Television's musical guests: Hazel Scott, Peggy Lee, and Lena Horne -- Conclusion : the jazz canon (representations and gendered absences) |
| Sprache: | eng |
| RVK-Notation: | LS 48100 |
| Andere Ausgabe: | Erscheint auch als |
| _Bemerkung: | Druck-Ausgabe, Hardcover |
| _ISBN: | 978-0-8195-6907-3 |
| Andere Ausgabe: | Erscheint auch als |
| _Bemerkung: | Druck-Ausgabe, Hardcover |
| _ISBN: | 0-8195-6907-0 |
| Andere Ausgabe: | Erscheint auch als |
| _Bemerkung: | Druck-Ausgabe, Paperback |
| _ISBN: | 978-0-8195-6908-0 |
| Andere Ausgabe: | Erscheint auch als |
| _Bemerkung: | Druck-Ausgabe, Paperback |
| _ISBN: | 0-8195-6908-9 |
| Thema (Schlagwort): | USA; Film; Jazz; Damenkapelle; Geschichte 1928-1959; USA; Jazzmusikerin; Film; Geschichte 1928-1959 |
| Weitere Schlagwörter : | Geschichte 1900-2000 |
| Weitere Schlagwörter : | Film; Geschichte; Women jazz musicians in motion pictures; Big bands in motion pictures; Jazz in motion pictures; Motion pictures; United States; History; 20th century; Television broadcasting of music; Variety shows (Television programs); United States |
| Weitere Schlagwörter : | USA |
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