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African polyphony and polyrhythm
Polyphonies et polyrythmies instrumentales d'Afrique centralemusical structure and methodology
African Polyphony&Polyrhythm
Verfasser: Arom, Simha
Übersetzer: Thom, Martin <1951->
Übersetzer: Tuckett, Barbara
Übersetzer: Boyd, Raymond
978-0-511-51831-7
Schlagwörter 1: Afrika
; Polyfonie ; Musik Schlagwörter 2: Polyrhythmus
; Afrika 
Computerdatei
(Services, Fernleihe und weitere eXtras)
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Letzte Änderung: 02.12.2016
MARC-Felder:
Volltext-Links:
Zugang für Benutzer von: Bayerische Staatsbibliothek München - Zugang für Benutzer von: Universitätsbibliothek Bamberg
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Fach:
- Musikwissenschaft
Permalink:
https://gateway-bayern.de/BV043926991
Letzte Änderung: 02.12.2016
| Titel: | African polyphony and polyrhythm |
|---|---|
| Untertitel: | musical structure and methodology |
| URL: | https://doi.org/10.1017/CBO9780511518317 |
| URL Erlt Interna: | Verlag |
| URL Erlt Info: | URL des Erstveröffentlichers |
| Erläuterung : | Volltext |
| Von: | Simha Arom ; translated from French by Martin Thom, Barbara Tuckett, and Raymond Boyd |
| ISBN: | 978-0-511-51831-7 |
| Preis/Einband: | Online |
| Erscheinungsort: | Cambridge |
| Verlag: | Cambridge University Press |
| Erscheinungsjahr: | 1991 |
| DOI: | 10.1017/CBO9780511518317 |
| Umfang: | 1 online resource (xxviii, 668 pages) |
| Fußnote : | Title from publisher's bibliographic system (viewed on 05 Oct 2015) |
| Abstract: | In this detailed study Simha Arom takes a new and original approach to the understanding of the complex and sophisticated patterns of polyphony and polyrhythm that characterise African music. Considering in particular the harp, sanza, xylophone and percussion music of Central Africa, Simha Arom develops a rigorous method for the analysis of the music and for the recording and deciphering of the many strands of polyphony and polyrhythm. Through a systematic breakdown of the many layers of apparently improvised rhythm he reveals the essential structure which underlies this rich and complex music. Inspired also by linguistic techniques, Professor Arom regards the music very much as a grammatical system |
| Sprache: | eng |
| RVK-Notation: | LS 46000 |
| RVK-Notation: | LS 47002 |
| RVK-Notation: | LS 47015 |
| RVK-Notation: | LS 47350 |
| Angaben zum Inhalt: | Bk. I. The music of the Central African Republic. General introduction -- The general features of traditional music -- Typology -- Bk. II. African polyphonic music. Introduction -- A classification of African polyphonies -- Previous studies: the present state of the subject -- Bk. III. Technical tools: methods of recording polyphonic music for transcription. The need for transcription -- The difficulties of transcription -- Earlier methods -- Towards a new method -- Theoretical assumptions -- Technical equipment: description and use -- From recording to transcription -- Checking the results -- Potentialities -- Anthropological validity -- Bk. IV. Theoretical tools. The notion of relevance: -- Description and analysis -- The question of transcription -- Bk. V. The organisation of time in African music. A brief survey of Western rhythmics -- Towards a precise terminology -- African rhythmics -- Bk. VI. Structural principles and their application. Typology -- Analytical notions -- Strict polyrhythmics -- Polyrhythmics as a way to polyphony: Hocket -- Polyphony produced by melodic instruments -- The association of polyphony and polyrhythmics -- Conclusion |
| Andere Ausgabe: | Erscheint auch als |
| _Bemerkung: | Druckausgabe |
| _ISBN: | 978-0-521-24160-1 |
| Andere Ausgabe: | Erscheint auch als |
| _Bemerkung: | Druckausgabe |
| _ISBN: | 978-0-521-61601-0 |
| Thema (Schlagwort): | Afrika; Polyfonie; Musik; Polyrhythmus; Afrika |
| Weitere Schlagwörter : | Musik; Music / Africa, Central / History and criticism; Counterpoint; Musical meter and rhythm |
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| 246 | 1 | 3 | |a African Polyphony&Polyrhythm |
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| 300 | |a 1 online resource (xxviii, 668 pages) | ||
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| 500 | |a Title from publisher's bibliographic system (viewed on 05 Oct 2015) | ||
| 505 | 8 | |a Bk. I. The music of the Central African Republic. General introduction -- The general features of traditional music -- Typology -- Bk. II. African polyphonic music. Introduction -- A classification of African polyphonies -- Previous studies: the present state of the subject -- Bk. III. Technical tools: methods of recording polyphonic music for transcription. The need for transcription -- The difficulties of transcription -- Earlier methods -- Towards a new method -- Theoretical assumptions -- Technical equipment: description and use -- From recording to transcription -- Checking the results -- Potentialities -- Anthropological validity -- Bk. IV. Theoretical tools. The notion of relevance: -- Description and analysis -- The question of transcription -- Bk. V. The organisation of time in African music. A brief survey of Western rhythmics -- Towards a precise terminology -- African rhythmics -- Bk. VI. Structural principles and their application. Typology -- Analytical notions -- Strict polyrhythmics -- Polyrhythmics as a way to polyphony: Hocket -- Polyphony produced by melodic instruments -- The association of polyphony and polyrhythmics -- Conclusion | |
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