Drucken
SpeichernB3Kat (1/1)
How folklore shaped modern art
a post-critical history of aestheticsVerfasser: Hill, Wes <1978->
(DE-588)1081210664First published
978-0-8153-8655-1; 978-1-138-93167-1
Schlagwörter: Ästhetik
; Kunstkritik ; Geschichte 1900-2000
Buch
(Services, Fernleihe und weitere eXtras)
Bestand im BVB:
Bestand im KOBV:
Externe Links:
Fach:
Dieser Titel ist Teil einer Serie/Reihe:
Letzte Änderung: 31.05.2018
MARC-Felder:
- Bibliothek des Zentralinstituts für Kunstgeschichte München (Sigel: 255 - Fernleihe in der Regel nur bei Alleinbesitz, Buchausleihe nur im Ausnahmefall)
- Bibliothek der Ludwig-Maximilians-Universität München (Sigel: 19)
- Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek (Sigel: 29)
Bestand im KOBV:
Externe Links:
Fach:
- Kunstgeschichte
- Ethnologie
- Philosophie
Dieser Titel ist Teil einer Serie/Reihe:
Permalink:
https://gateway-bayern.de/BV043214305
Letzte Änderung: 31.05.2018
| Titel: | How folklore shaped modern art |
|---|---|
| Untertitel: | a post-critical history of aesthetics |
| URL: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=02863738... |
| Erläuterung : | Inhaltsverzeichnis |
| Von: | Wes Hill |
| LoC-Nummer: | 015030554 |
| ISBN: | 978-0-8153-8655-1 |
| Preis/Einband: | pbk |
| ISBN: | 978-1-138-93167-1 |
| Preis/Einband: | hbk |
| Erscheinungsort: | New York and London |
| Verlag: | Routledge |
| Erscheinungsjahr: | 2016 |
| Ausgabe: | First published |
| Umfang: | 182 Seiten |
| Serie/Reihe: | Routledge advances in art and visual studies |
| Band: | 15 |
| ID der Serie/Reihe: | (DE-604)BV040387847 |
| Fußnote : | Includes bibliographical references and index |
| Abstract: | Since the 1990s, artists and art writers around the world have increasingly undermined the essentialism associated with notions of "critical practice." We can see this manifesting in the renewed relevance of what were previously considered "outsider" art practices, the emphasis on first-person accounts of identity over critical theory, and the proliferation of exhibitions that refuse to distinguish between art and the productions of culture more generally. 'How folklore shaped modern art: A post-critical history of aesthetics' underscores how the cultural traditions, belief systems and performed exchanges that were once integral to the folklore discipline are now central to contemporary art's "post-critical turn." This shift is considered here as less a direct confrontation of critical procedures than a symptom of art's inclusive ideals, overturning the historical separation of fine art from those "uncritical" forms located in material and commercial culture.0In a global context, aesthetics is now just one of numerous traditions informing our encounters with visual culture today, symptomatic of the pull towards an impossibly pluralistic image of art that reflects the irreducible conditions of identity |
| Sprache: | eng |
| LoC-Notation: | N7476 |
| RVK-Notation: | CC 6900 |
| RVK-Notation: | LB 58000 |
| RVK-Notation: | LC 90000 |
| SsgN-Notation: | 5,1 |
| Fid-Notation: | SKA |
| Angaben zum Inhalt: | Kant and Herder -- Disciplinary Objectives -- Warhol's Poplore -- Post-Critical Art |
| Thema (Schlagwort): | Ästhetik; Kunstkritik; Geschichte 1900-2000 |
| Weitere Schlagwörter : | Geschichte 1900-2000 |
| Weitere Schlagwörter : | Geschichte; Philosophie; Art criticism; History; 20th century; Art criticism; History; 21st century; Art, Modern; Philosophy |
| LEADER | 00000nam a2200000 cb4500 | ||
|---|---|---|---|
| 001 | BV043214305 | ||
| 003 | DE-604 | ||
| 005 | 20180531 | ||
| 007 | t | ||
| 008 | 151216s2016 xxu |||| 00||| eng d | ||
| 010 | |a 015030554 | ||
| 020 | |a 9780815386551 |c pbk |9 978-0-8153-8655-1 | ||
| 020 | |a 9781138931671 |c hbk |9 978-1-138-93167-1 | ||
| 035 | |a (OCoLC)951888690 | ||
| 035 | |a (DE-599)BVBBV043214305 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 044 | |a xxu |c US | ||
| 049 | |a DE-29 |a DE-255 |a DE-19 |a DE-11 | ||
| 050 | 0 | |a N7476 | |
| 082 | 0 | |a 701/.1 |2 23 | |
| 084 | |a SKA |q DE-11 |2 fid | ||
| 084 | |a CC 6900 |0 (DE-625)17665: |2 rvk | ||
| 084 | |a LB 58000 |0 (DE-625)90575:772 |2 rvk | ||
| 084 | |a LC 90000 |0 (DE-625)90702:772 |2 rvk | ||
| 084 | |a 5,1 |2 ssgn | ||
| 084 | |a 3 |2 KUBA2 | ||
| 100 | 1 | |a Hill, Wes |d 1978- |e Verfasser |0 (DE-588)1081210664 |4 aut | |
| 245 | 1 | 0 | |a How folklore shaped modern art |b a post-critical history of aesthetics |c Wes Hill |
| 250 | |a First published | ||
| 264 | 1 | |a New York and London |b Routledge |c 2016 | |
| 300 | |a 182 Seiten | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 1 | |a Routledge advances in art and visual studies |v 15 | |
| 500 | |a Includes bibliographical references and index | ||
| 505 | 8 | |a Kant and Herder -- Disciplinary Objectives -- Warhol's Poplore -- Post-Critical Art | |
| 520 | |a Since the 1990s, artists and art writers around the world have increasingly undermined the essentialism associated with notions of "critical practice." We can see this manifesting in the renewed relevance of what were previously considered "outsider" art practices, the emphasis on first-person accounts of identity over critical theory, and the proliferation of exhibitions that refuse to distinguish between art and the productions of culture more generally. 'How folklore shaped modern art: A post-critical history of aesthetics' underscores how the cultural traditions, belief systems and performed exchanges that were once integral to the folklore discipline are now central to contemporary art's "post-critical turn." This shift is considered here as less a direct confrontation of critical procedures than a symptom of art's inclusive ideals, overturning the historical separation of fine art from those "uncritical" forms located in material and commercial culture.0In a global context, aesthetics is now just one of numerous traditions informing our encounters with visual culture today, symptomatic of the pull towards an impossibly pluralistic image of art that reflects the irreducible conditions of identity | ||
| 648 | 4 | |a Geschichte 1900-2000 | |
| 648 | 7 | |a Geschichte 1900-2000 |2 gnd |9 rswk-swf | |
| 650 | 4 | |a Geschichte | |
| 650 | 4 | |a Philosophie | |
| 650 | 4 | |a Art criticism |x History |y 20th century | |
| 650 | 4 | |a Art criticism |x History |y 21st century | |
| 650 | 4 | |a Art, Modern |x Philosophy | |
| 650 | 0 | 7 | |a Kunstkritik |0 (DE-588)4033659-1 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Ästhetik |0 (DE-588)4000626-8 |2 gnd |9 rswk-swf |
| 689 | 0 | 0 | |a Ästhetik |0 (DE-588)4000626-8 |D s |
| 689 | 0 | 1 | |a Kunstkritik |0 (DE-588)4033659-1 |D s |
| 689 | 0 | 2 | |a Geschichte 1900-2000 |A z |
| 689 | 0 | |5 DE-604 | |
| 830 | 0 | |a Routledge advances in art and visual studies |v 15 |w (DE-604)BV040387847 | |
| 856 | 4 | 2 | |m LoC Fremddatenuebernahme |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028637383&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-028637383 | ||
