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The shadow and the act
black intellectual practice, jazz improvisation, and philosophical pragmatismVerfasser: Muyumba, Walton M.
0-226-55425-2; 978-0-226-55425-9
Schlagwörter 1: Jazz
; Improvisation Schlagwörter 2: Jazz
; Intellektuelle Anschauung 
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Letzte Änderung: 26.11.2015
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Volltext-Links:
Zugang für Benutzer von: Hochschulbibliothek Amberg - Zugang für Benutzer von: Hochschulbibliothek Weiden
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- Anglistik / Amerikanistik
- Musikwissenschaft
Permalink:
https://gateway-bayern.de/BV043108913
Letzte Änderung: 26.11.2015
| Titel: | The shadow and the act |
|---|---|
| Untertitel: | black intellectual practice, jazz improvisation, and philosophical pragmatism |
| URL: | http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=285067 |
| URL Erlt Interna: | Aggregator |
| Erläuterung : | Volltext |
| Von: | Walton M. Muyumba |
| ISBN: | 0-226-55425-2 |
| Preis/Einband: | electronic bk. |
| ISBN: | 978-0-226-55425-9 |
| Preis/Einband: | electronic bk. |
| Erscheinungsort: | Chicago |
| Verlag: | University of Chicago Press |
| Erscheinungsjahr: | ©2009 |
| Umfang: | 1 Online-Ressource (xi, 216 pages) |
| Fußnote : | Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002 |
| Fußnote : | Includes bibliographical references (pages 189-196) and index |
| Fußnote : | Introduction: Vamping 'til ready -- Three ways of looking at a yardbird : Charlie Parker and the theorization of jazz improvisation in the work of Ralph Ellison, James Baldwin, and LeRoi Jones/Amiri Baraka -- Black is, black ain't : violence, black masculinity, and the novel as democratic symbol -- Cutting session : Baldwin as prizefighting intellectual, Baldwin as improvising intellectual -- Improvising over the changes : improvisation as intellectual and aesthetic practice in the transitional poems of LeRoi Jones/Amiri Baraka -- Coda |
| Fußnote : | Though often thought of as rivals, Ralph Ellison, James Baldwin, and Amiri Baraka shared a range of interests, especially a passion for music. Jazz, in particular, was a decisive influence on their thinking, and, as The Shadow and the Act reveals, they drew on their insights into the creative process of improvisation to analyze race and politics in the civil rights era. In this inspired study, Walton M. Muyumba situates them as a jazz trio, demonstrating how Ellison, Baraka, and Baldwin's individual works form a series of calls and responses with each other. Muyumba connects their writings on |
| Sprache: | eng |
| RVK-Notation: | LS 48200 |
| Andere Ausgabe: | Erscheint auch als |
| _Bemerkung: | Druck-Ausgabe, Hardcover |
| _ISBN: | 0-226-55423-6 |
| Andere Ausgabe: | Erscheint auch als |
| _Bemerkung: | Druck-Ausgabe, Paperback |
| _ISBN: | 0-226-55424-4 |
| Andere Ausgabe: | Erscheint auch als |
| _Bemerkung: | Druck-Ausgabe, Hardcover |
| _ISBN: | 978-0-226-55423-5 |
| Andere Ausgabe: | Erscheint auch als |
| _Bemerkung: | Druck-Ausgabe, Paperback |
| _ISBN: | 978-0-226-55424-2 |
| Thema (Schlagwort): | Jazz; Improvisation; Jazz; Intellektuelle Anschauung |
| Weitere Schlagwörter : | Ellison, Ralph; Criticism and interpretation; Baldwin, James; 1924-1987; Criticism and interpretation; Baraka, Amiri; 1934-2014; Criticism and interpretation |
| Weitere Schlagwörter : | American literature; Ellison, Ralph; Jazz; American literature; African American authors; History and criticism; Jazz in literature; Jazz; History and criticism; Improvisation (Music) |
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| 500 | |a Includes bibliographical references (pages 189-196) and index | ||
| 500 | |a Introduction: Vamping 'til ready -- Three ways of looking at a yardbird : Charlie Parker and the theorization of jazz improvisation in the work of Ralph Ellison, James Baldwin, and LeRoi Jones/Amiri Baraka -- Black is, black ain't : violence, black masculinity, and the novel as democratic symbol -- Cutting session : Baldwin as prizefighting intellectual, Baldwin as improvising intellectual -- Improvising over the changes : improvisation as intellectual and aesthetic practice in the transitional poems of LeRoi Jones/Amiri Baraka -- Coda | ||
| 500 | |a Though often thought of as rivals, Ralph Ellison, James Baldwin, and Amiri Baraka shared a range of interests, especially a passion for music. Jazz, in particular, was a decisive influence on their thinking, and, as The Shadow and the Act reveals, they drew on their insights into the creative process of improvisation to analyze race and politics in the civil rights era. In this inspired study, Walton M. Muyumba situates them as a jazz trio, demonstrating how Ellison, Baraka, and Baldwin's individual works form a series of calls and responses with each other. Muyumba connects their writings on | ||
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