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Tears of longing; nostalgia and the nation in Japanese popular song

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Tears of longing

nostalgia and the nation in Japanese popular song
Verfasser: Yano, Christine R.
0-674-01276-3
Schlagwörter: Enka GND link to dataset open/close  GND search link open/close 

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  • Musikwissenschaft

Dieser Titel ist Teil einer Serie/Reihe:

Letzte Änderung: 18.12.2003
Titel:Tears of longing
Untertitel:nostalgia and the nation in Japanese popular song
Von:Christine R. Yano
LoC-Nummer:2001039594
ISBN:0-674-01276-3
Erscheinungsort:Cambridge (Mass.) [u.a.]
Verlag:Harvard Univ. Asia Center
Erscheinungsjahr:2002
Umfang:VIII, 255 S.
Details:Ill.
Serie/Reihe:Harvard East Asian monographs
Band:206
ID der Serie/Reihe:(DE-604)BV002779893
Abstract:"Enka, a sentimental ballad genre, epitomizes for many the "nihonjin no kokoro" (heart/soul of Japanese). To older members of the Japanese public, who constitute enka's primary audience, this music - of parted lovers, long unseen rural hometowns, and self-sacrificing mothers - evokes a direct connection to the traditional roots of "Japaneseness." Overlooked in this emotional invocation of the past, however, are the powerful commercial forces that, since the 1970s, have shaped the consumption of enka and its version of national identity. Informed by theories of nostalgia, collective memory, cultural nationalism, and gender, this book draws on the author's extensive fieldwork in probing the practice of identity-making and the processes at work when Japan becomes "Japan.""--BOOK JACKET.
Sprache:eng
LoC-Notation:ML3501
RVK-Notation:LS 43600
Thema (Schlagwort):Enka
Weitere Schlagwörter :Enka; History and criticism; Popular music; Japan; History and criticism

MARC-Felder:
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5201 |a "Enka, a sentimental ballad genre, epitomizes for many the "nihonjin no kokoro" (heart/soul of Japanese). To older members of the Japanese public, who constitute enka's primary audience, this music - of parted lovers, long unseen rural hometowns, and self-sacrificing mothers - evokes a direct connection to the traditional roots of "Japaneseness." Overlooked in this emotional invocation of the past, however, are the powerful commercial forces that, since the 1970s, have shaped the consumption of enka and its version of national identity. Informed by theories of nostalgia, collective memory, cultural nationalism, and gender, this book draws on the author's extensive fieldwork in probing the practice of identity-making and the processes at work when Japan becomes "Japan.""--BOOK JACKET. 
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