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Baroque reason
La raison baroquethe aesthetics of modernity
Verfasser: Buci-Glucksmann, Christine
1. publ.
0-8039-8976-8
Schlagwörter 1: Modernität
; Ästhetik Schlagwörter 2: Benjamin, Walter <1892-1940>
; Ästhetik Schlagwörter 3: Ästhetik
; Moderne 
Buch
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Letzte Änderung: 30.12.1994
MARC-Felder:
- Universitätsbibliothek Eichstätt-Ingolstadt - Zentralbibliothek und Teilbibliotheken in Eichstätt (Sigel: 824)
- Universitätsbibliothek Würzburg (Sigel: 20)
- Universitätsbibliothek Augsburg (Sigel: 384)
- Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek (Sigel: 29)
- Universitätsbibliothek Regensburg (Sigel: 355)
Bestand im KOBV:
Fach:
- Soziologie
- Philosophie
- Literaturwissenschaft
Permalink:
https://gateway-bayern.de/BV009754170
Letzte Änderung: 30.12.1994
| Titel: | Baroque reason |
|---|---|
| Untertitel: | the aesthetics of modernity |
| Von: | Christine Buci-Glucksmann |
| ISBN: | 0-8039-8976-8 |
| Erscheinungsort: | London u.a. |
| Verlag: | Sage |
| Erscheinungsjahr: | 1994 |
| Ausgabe: | 1. publ. |
| Umfang: | 179 S. |
| Details: | Ill. |
| Serie/Reihe: | Theory, culture&society |
| Abstract: | This important book explores the condition of modernity - alienation, melancholy, nostalgia - through the works of writers and philosophers, and with particular reference to the social and aesthetic philosophy of Walter Benjamin. Christine Buci-Glucksmann addresses modernity through the notion of the other, and shows how the feminine is used as one of the main sources of allegorical interpretation, standing for the miraculous, the utopian, the dangerous and the androgynous |
| Abstract: | The author also examines Baudelaire's haunting image of the city and its profound effect on conceptions of modernity. She goes on to consider how such influential figures as Nietzsche, Adorno, Musil, Barthes and Lacan constitute a baroque paradigm, united by their allegorical style, their conflation of aesthetics with ethics and their subject matter - death, catastrophe, sexuality, myth, the female |
| Abstract: | In her exegesis of these fundamental themes Buci-Glucksmann proposes an epistemology beyond postmodernism |
| Sprache: | eng |
| LoC-Notation: | PN56.M54 |
| RVK-Notation: | CC 6900 |
| RVK-Notation: | CI 1397 |
| RVK-Notation: | MR 3100 |
| SsgN-Notation: | 5,1 |
| Thema (Schlagwort): | Modernität; Ästhetik; Benjamin, Walter; Ästhetik; Ästhetik; Moderne |
| Weitere Schlagwörter : | Geschichte 1800-1900 |
| Weitere Schlagwörter : | Frau; Ästhetik; Literature, Modern; 19th century; History and criticism; Modernism (Literature); Women in literature |
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| 250 | |a 1. publ. | ||
| 264 | 1 | |a London u.a. |b Sage |c 1994 | |
| 300 | |a 179 S. |b Ill. | ||
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| 490 | 0 | |a Theory, culture&society | |
| 520 | 3 | |a This important book explores the condition of modernity - alienation, melancholy, nostalgia - through the works of writers and philosophers, and with particular reference to the social and aesthetic philosophy of Walter Benjamin. Christine Buci-Glucksmann addresses modernity through the notion of the other, and shows how the feminine is used as one of the main sources of allegorical interpretation, standing for the miraculous, the utopian, the dangerous and the androgynous | |
| 520 | |a The author also examines Baudelaire's haunting image of the city and its profound effect on conceptions of modernity. She goes on to consider how such influential figures as Nietzsche, Adorno, Musil, Barthes and Lacan constitute a baroque paradigm, united by their allegorical style, their conflation of aesthetics with ethics and their subject matter - death, catastrophe, sexuality, myth, the female | ||
| 520 | |a In her exegesis of these fundamental themes Buci-Glucksmann proposes an epistemology beyond postmodernism | ||
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