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Geography and the human spirit

B3Kat (1/1)


Geography and the human spirit

Verfasser: Buttimer, Anne <1938-2017> GND link to dataset open/close  GND search link open/close  (DE-588)1034964577
0-8018-4338-3
Schlagwörter 1: Geografie GND link to dataset open/close  GND search link open/close  ; Philosophie GND link to dataset open/close  GND search link open/close 
Schlagwörter 2: Humanismus GND link to dataset open/close  GND search link open/close  ; Geografie GND link to dataset open/close  GND search link open/close 
Schlagwörter 3: Geografie GND link to dataset open/close  GND search link open/close  ; Weltbild GND link to dataset open/close  GND search link open/close 

 Buch
SFX (Services, Fernleihe und weitere eXtras)

Bestand im BVB:
Bestand im KOBV:
Externe Links:
  • Inhaltsverzeichnis

Fach:
  • Soziologie
  • Geographie


Letzte Änderung: 10.12.1993
Titel:Geography and the human spirit
URL:http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=00550056...
Erläuterung :Inhaltsverzeichnis
Von:Anne Buttimer
ISBN:0-8018-4338-3
Erscheinungsort:Baltimore u.a.
Verlag:Johns Hopkins Univ. Press
Erscheinungsjahr:1993
Umfang:XIV, 285 S.
Details:Ill. graph. Darst., Kt.
Abstract:Geography and the Human Spirit takes up that challenge in a panoramic survey of ideas about humanity's relationship to the natural environment. Ranging widely across time and cultures - from Plato to the Upanishads, from Goethe to Barry Lopez - Anne Buttimer explores the ways that human beings have turned to natural science, theology, and myth to form visions of the earth as a human habitat. She also reaches beyond the Western tradition to examine how other cultures have conceptualized the nature and meaning of their environments. Buttimer begins by placing her study in the context of Western intellectual and cultural history. Focusing on the "emancipatory cry" of humanism, she identifies and interprets cyclical patterns of Western thought using the three mythopoetical characters of Phoenix, Faust, and Narcissus. Phoenix becomes her symbol for the emergence of new ideas and ways of life
Abstract:Faust symbolizes the next phase, the typically Western drive to build structures, institutions, and legal frameworks around such new ideas. But tensions inevitably arise between Faust and Phoenix - between structure and the original emancipatory spirit. Then Narcissus appears, critically reflecting on the situation and eventually choosing one of two alternatives: falling in love with his own image or undergoing painful liberation from past certainties to welcome a new Phoenix. Buttimer uses these symbols to reflect on four ways in which the world has been perceived both in the Western cultural tradition and in other traditions throughout history: the world as a mosaic of forms, as a mechanical system, as an organic whole, and as an arena of spontaneous events
Abstract:Although postmodern thinkers have seen the struggle between Faust the builder and Narcissus the evaluator as insoluble, she argues that the impulse of the Phoenix can bridge the gaps between disciplines, cultures, and world-views. "Each civilization has a story to tell," writes Buttimer. "The unfolding patterns of the earth around us invite a sharing of these stories as one essential step toward discovering mutually acceptable bases for rational discourse on wiser ways of dwelling.
Sprache:eng
LoC-Notation:GF21
RVK-Notation:RB 10038
TUM-Notation:GEO 050f
Thema (Schlagwort):Geografie; Philosophie; Humanismus; Geografie; Geografie; Weltbild
Weitere Schlagwörter :Géographie humaine - Philosophie; Philosophie; Human geography; Philosophy

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5203 |a Geography and the Human Spirit takes up that challenge in a panoramic survey of ideas about humanity's relationship to the natural environment. Ranging widely across time and cultures - from Plato to the Upanishads, from Goethe to Barry Lopez - Anne Buttimer explores the ways that human beings have turned to natural science, theology, and myth to form visions of the earth as a human habitat. She also reaches beyond the Western tradition to examine how other cultures have conceptualized the nature and meaning of their environments. Buttimer begins by placing her study in the context of Western intellectual and cultural history. Focusing on the "emancipatory cry" of humanism, she identifies and interprets cyclical patterns of Western thought using the three mythopoetical characters of Phoenix, Faust, and Narcissus. Phoenix becomes her symbol for the emergence of new ideas and ways of life 
5203 |a Faust symbolizes the next phase, the typically Western drive to build structures, institutions, and legal frameworks around such new ideas. But tensions inevitably arise between Faust and Phoenix - between structure and the original emancipatory spirit. Then Narcissus appears, critically reflecting on the situation and eventually choosing one of two alternatives: falling in love with his own image or undergoing painful liberation from past certainties to welcome a new Phoenix. Buttimer uses these symbols to reflect on four ways in which the world has been perceived both in the Western cultural tradition and in other traditions throughout history: the world as a mosaic of forms, as a mechanical system, as an organic whole, and as an arena of spontaneous events 
5203 |a Although postmodern thinkers have seen the struggle between Faust the builder and Narcissus the evaluator as insoluble, she argues that the impulse of the Phoenix can bridge the gaps between disciplines, cultures, and world-views. "Each civilization has a story to tell," writes Buttimer. "The unfolding patterns of the earth around us invite a sharing of these stories as one essential step toward discovering mutually acceptable bases for rational discourse on wiser ways of dwelling. 
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