Format:
1 Online-Ressource (319 pages)
ISBN:
9781469651941
Series Statement:
North Carolina Studies in the Romance Languages and Literatures number 318
Content:
Cover -- Half Title -- Title Page -- CONTENTS -- ILLUSTRATIONS -- SOUND FILES -- CONTRIBUTORS -- ACKNOWLEDGMENTS -- INTRODUCTION -- PART I: MUSIC AND NATIONAL DISSONANCES -- "Orchestrating War: Burlesque Musical Pieces on the War of Africa (1859-1860)" -- "Massive Harmonies" -- "Lands Without a Song: Autonomous Communities' Quest for an Anthem" -- "Remaking the Ready-Made Espagnolade: Carmen in Spanish Cinema" -- "Enric Granados and His Catalan Literary Associations" -- PART II: ZARZUELAS AND THEATER: DISSONANCES OF MODERNITY ON STAGE -- "Music, Text, and Performing Cultural Identity in Francisco Barbieri's (1823-1894) El barberillo de Lavapiés (1874)" -- 'Philarmonic Furor' and the Dual Role of Music in Nineteenth-Century Spain" -- "Social Typology and costumbrismo in the tonadilla escénica" -- "Falla's Harpsichord Concerto and Lorca's Don Perlimplín" -- PART III: GENDER DISSONANCES: CROSSWORDS BETWEEN OPERA, LITERATURE, AND THE MODERN ARTIST -- "The Mute Muse" -- "Between Sublime Performance and Filthy Lucre: The Voice of Serafina Gorgheggi in Su único hijo by Leopoldo Alas" -- "Galdós's Gloria: Tweaking the Paradigm of Wagner's Der fliegende Holländer" -- "The Blind Street Singer in the Novels of Galdós and the Short Stories of His Contemporaries".
Note:
Description based on publisher supplied metadata and other sources
Additional Edition:
ISBN 9781469651927
Additional Edition:
Erscheint auch als Druck-Ausgabe Dissonances of modernity Chapel Hill : U.N.C. Department of Romance Studies, 2021 ISBN 9781469651927
Language:
English
Keywords:
Geschichte 1850-1950
;
Geschichte 1850-1950
;
Spanien
;
Musik
;
Nationalbewusstsein
