Format:
1 Online-Ressource (232 Seiten)
,
Illustrationen
ISBN:
9783839442562
Series Statement:
Popular music
Content:
In electronic music culture, anonymity practices have long been established as a method of critique of pop star cult and identification regimes. How can scholars research an anti-representational music culture and what can they learn from it? Recently, electronic pop music has resorted to a performative play with identity involving fake or parafictive identities or collaborative persona imaginations.This study sketches two musico-artistic projects of anonymity performance as forms of immanent and particulate `critical practice' in the sense of Judith Butler and Michel Foucault. Adopting performance in a reflexive and performative writing style, this `performance ethnography' calls for a radical performative turn in the cultural studies of music.
Note:
Dissertation University of London
,
Dissertation Carl von Ossietzky Universität Oldenburg
Additional Edition:
ISBN 9783837642568
Additional Edition:
Erscheint auch als Druck-Ausgabe Menrath, Stefanie, 1972 - Anonymity performance in electronic pop music Bielefeld : transcript, 2018 ISBN 3837642569
Additional Edition:
ISBN 9783837642568
Language:
English
Subjects:
Musicology
Keywords:
Elektronische Musik
;
Performativität
;
Anonymität
;
Hochschulschrift
DOI:
10.14361/9783839442562
Author information:
Menrath, Stefanie 1972-
