bszlogo
Deutsch Englisch Französisch Spanisch
SWB
sortiert nach
nur Zeitschriften/Serien/Datenbanken nur Online-Ressourcen OpenAccess
  Unscharfe Suche
Suchgeschichte Kurzliste Vollanzeige Besitznachweis(e)

Recherche beenden

  

Ergebnisanalyse

  

Speichern / Druckansicht

  

Druckvorschau

  
1 von 1
      
1 von 1
      
* Ihre Aktion:   suchen [und] (PICA Prod.-Nr. [PPN]) 521466113
 Felder   ISBD   MARC21 (FL_924)   Citavi, Referencemanager (RIS)   Endnote Tagged Format   BibTex-Format   RDF-Format 
Bücher, Karten, Noten
 
K10plusPPN: 
521466113     Zitierlink
SWB-ID: 
263032833                        
Titel: 
Korean Pop Music : Riding the Wave / ed. by Keith Howard
Beteiligt: 
Howard, Keith, 1956- [Hrsg.] info info
Erschienen: 
Folkestone : Global Oriental, 2006
Umfang: 
XIV, 250 S.
Sprache(n): 
Englisch
ISBN: 
1-905246-22-6 ; 978-1-905246-22-9
Sonstige Nummern: 
OCoLC: 237051111     see Worldcat
OCoLC: 70708553 (aus SWB)     see Worldcat


Art und Inhalt: 
RVK-Notation: 
Sachgebiete: 
SSG-Nummer(n): 6,25
Schlagwortfolge: 
*Korea info ; China info ; Taiwan info ; Popmusik info ; Geschichte ; Aufsatzsammlung     see Zum Register
 
Inhaltliche
Zusammenfassung: 
Offers an account written by thirteen scholars of Korean Studies, ethnomusicology and popular culture from Canada, Great Britain, Korea, the Netherlands, New Zealand and the US. This book includes discussion of North Korean popular music and chapters on the 'Korea wave' that swept Taiwan and the Chinese mainland at the start of the millennium.

Korean popular music has in the last decade become a significant model for youth culture throughout Asia. Yet, although the Korean music industry is both vibrant and massive, this is the first book-length work devoted to Korean pop music in English. The book offers a comprehensive account written by thirteen scholars of Korean Studies, ethnomusicology and popular culture from Canada, Great Britain, Korea, the Netherlands, New Zealand and the US. It charts Korean pop from the 1930s to the present day, from genres imitative of early twentieth-century European and Japanese styles ('trot' and 'yuhaengga') to contemporary punk clubs, rap bands and music television shows. Consideration is given to South Korean singers who catered for American troops in the aftermath of the Korean War, to acoustic guitar songs and their use in 1970s' student protest movements against military dictatorship, to state propaganda pop, and to the explosion of global styles that marked the 1990s. Lyrics and dance, media packaging and stage costumes, song rooms and singing doctors, highway songs and new folksongs, and the impact of the Internet are all explored.


Mehr zum Titel: 
 
1 von 1
      
1 von 1