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* Ihre Aktion:   suchen [und] (PICA Prod.-Nr. [PPN]) 1810205719
 Felder   ISBD   MARC21 (FL_924)   Citavi, Referencemanager (RIS)   Endnote Tagged Format   BibTex-Format   RDF-Format 
Online Ressourcen (ohne online verfügbare<BR> Zeitschriften und Aufsätze)
 
K10plusPPN: 
1810205719     Zitierlink
Titel: 
Staged otherness : ethnic shows in central and eastern Europe, 1850-1939 / edited by Dagnosław Demski and Dominika Czarnecka
Beteiligt: 
Erschienen: 
Budapest ; New York : Central European University Press, 2021 [©2021]
Umfang: 
1 Online-Ressource (ix, 449 pages) : illustrations, map
Sprache(n): 
Englisch
Angaben zum Inhalt: 
Introduction : From Western to Peripheral Voices / / Dominika Czarnecka and Dagnosław Demski
Anmerkung: 
Includes bibliographical references and index
Bibliogr. Zusammenhang: 
Erscheint auch als: Staged otherness. - Budapest; New York : Central European University Press, [2021] (Druck-Ausgabe)
ISBN: 
978-963-386-440-1 (ebook); 963-386-440-2
978-963-386-439-5 (ISBN der Printausgabe)
Sonstige Nummern: 
OCoLC: 1298898995     see Worldcat


Link zum Volltext: 
Elektronische Ressource: Zugang beim Produzenten (Lizenzangabe: Kostenfrei zugänglich ohne Registrierung)


Sachgebiete: 
bisacsh: SOC 002010
Sonstige Schlagwörter: 
MeSH: Essay
Inhaltliche
Zusammenfassung: 
"The cultural phenomenon of exhibiting non-European people in front of the European audiences in the 19th and 20th century was concentrated in the metropolises in the western part of the continent. Nevertheless, traveling ethnic troupes and temporary exhibitions of non-European humans took place also in territories located to the east of the Oder river and Austria. The contributors to this edited volume present practices of ethnographic shows in Russia, Poland, Czechia, Slovenia, Hungary, Germany, Romania, and Austria and discuss the reactions of local audiences. The essays offer critical arguments to rethink narratives of cultural encounters in the context of ethnic shows. By demonstrating the many ways in which the western models and customs were reshaped, developed, and contested in Central and Eastern European contexts, the authors argue that the dominant way of characterizing these performances as "human zoos" is too narrow. The contributors had to tackle the difficult task of finding traces other than faint copies of official press releases by the tour organizers. The original source material was drawn from local archives, museums, and newspapers of the discussed period. A unique feature of the volume is the rich amount of images that complement every single case study of ethnic shows"--
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