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* Ihre Aktion:   suchen [und] (PICA Prod.-Nr. [PPN]) 1805469401
 Felder   ISBD   MARC21 (FL_924)   Citavi, Referencemanager (RIS)   Endnote Tagged Format   BibTex-Format   RDF-Format 
Bücher, Karten, Noten
 
K10plusPPN: 
1805469401     Zitierlink
Titel: 
Lennon and McCartney : painting with sound / Thomas MacFarlane
Autorin/Autor: 
MacFarlane, Thomas, 1960- [Verfasserin/Verfasser] info info
Erschienen: 
London ; New York : Routledge, Taylor & Francis Group, 2023
Umfang: 
viii, 192 Seiten
Sprache(n): 
Englisch
Anmerkung: 
Includes bibliographical references and index
2209
Bibliogr. Zusammenhang: 
Erscheint auch als: MacFarlane, Thomas, 1960- : Lennon & McCartney. - Abingdon, Oxon ; New York : Routledge, 2022 (Online-Ausgabe)
ISBN: 
978-1-032-29139-0 (hardback); 978-1-032-22460-2 (paperback)
978-1-003-30021-2 (ISBN der parallelen Ausgabe); 978-1-003-30021-2 (ISBN der parallelen Ausgabe)
LoC-Nr.: 
2022015528
Sonstige Nummern: 
OCoLC: 1347435550     see Worldcat


RVK-Notation: 
Sachgebiete: 
Sonstige Schlagwörter: 
Inhaltliche
Zusammenfassung: 
"Lennon & McCartney: Painting with Sound explores the work of two of the most influential composers of the twentieth century. Five decades after the breakup of the Beatles, the music of John Lennon and Paul McCartney continues to fascinate and inspire. Evidence suggests that their uniquely eclectic approach can be traced back to the Liverpool College of Art. Following on that idea, this book explores the creative dialogue between John Lennon and Paul McCartney, both with the Beatles and on their own, that grew out of that early influence. MacFarlane considers the Liverpool College of Art as the backdrop for John and Paul's early collaborations with painter and musician Stuart Sutcliffe. This is followed by the main body of the text, presented in three sections: Section I. Stretching the Canvas explores select works created by the band between 1963-66. Section II. Extending the Space assesses key Beatle projects of the late 1960s followed by an exploration of the long-distance creative dialogue between Lennon and McCartney as demonstrated in their respective solo recordings of the 1970s. Section III. New Colours considers the final works of the Lennon and McCartney creative dialogue as well as various McCartney solo projects released in the years that followed Lennon's death in 1980. Here, the focus is on Paul's development as a painter, its effect on his creativity, and his subsequent efforts to establish the Liverpool Institute for Performing Arts as a world-class arts conservatory"--
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