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* Ihre Aktion:   suchen [und] (PICA Prod.-Nr. [PPN]) 1801341982
 Felder   ISBD   MARC21 (FL_924)   Citavi, Referencemanager (RIS)   Endnote Tagged Format   BibTex-Format   RDF-Format 
Bücher, Karten, Noten
 
K10plusPPN: 
1801341982     Zitierlink
Titel: 
Rhythm changes : jazz, culture, discourse / Alan Stanbridge
Autorin/Autor: 
Stanbridge, Alan [Verfasserin/Verfasser]
Erschienen: 
New York ; London : Routledge, Taylor & Francis Group, 2023
Umfang: 
xv, 362 Seiten : Illustrationen
Sprache(n): 
Englisch
Schriftenreihe: 
Anmerkung: 
Die paperback-Ausgabe wird lt. Verlag nicht erscheinen, 26.09.2022. - Includes bibliographical references and index
2210
Bibliogr. Zusammenhang: 
Erscheint auch als: Stanbridge, Alan : Rhythm changes. - New York : Routledge, 2022 (Online-Ausgabe)
ISBN: 
978-1-032-25189-9 (hbk. : GBP 125.00); 978-1-032-25190-5 (pbk)
978-1-003-28197-9 (ISBN der parallelen Ausgabe im Fernzugriff)
LoC-Nr.: 
2022019574
EAN: 
9781032251899
Sonstige Nummern: 
OCoLC: 1345242072     see Worldcat


RVK-Notation: 
Sachgebiete: 
Sonstige Schlagwörter: 
Inhaltliche
Zusammenfassung: 
Introduction. The Persistence of Authenticity -- The Challenge of the Past : Jazz, Parody, and Jazz Discourse -- A Few of My Favorite Things : Analyzing Jazz, Interpreting Irony, Assessing Value -- My Only Sunshine : Jazz, Country Music, George Russell, and Musical Meaning -- Divine Revelations : Keith Jarrett, Acoustic Authenticity, and Romantic Genius -- The Body Electric : Music, Machines, and Mechanical Reproduction -- Can Blue Men Sing the Whites? African American Exceptionalism, European Stereotypes, and the Jazz Studies Debate.

"Rhythm Changes: Jazz, Culture, Discourse addresses the development of jazz, the music, its makers, and its socio-cultural contexts, as well as the various discourses - especially those of academic analysis and journalistic criticism - that have influenced the creation, interpretation, and reception of jazz. Tackling diverse issues, such as race, class, nationalism, art, authenticity, irony, parody, romanticism, commercialism, technology, recording, and musical form and style, the book's viewpoint on artistic and cultural practices suggests new ways of thinking about jazz history. It challenges many established scholarly approaches in jazz research, providing a much-needed intervention in the current academic orthodoxies of Jazz Studies. Perhaps the most striking and distinctive aspect of the book is the extraordinary eclecticism of the wide-ranging but carefully chosen case studies and examples referenced throughout the text, from nineteenth century literature, through 1930s Broadway and film, to twentieth and twenty- first century jazz and popular music"--
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