1801331502     

Feeling media : potentiality and the afterlife of art / Miryam Sas

Sas, Miryam [Verfasserin/Verfasser]

Durham ; London : Duke University Press, 2022

xi, 304 Seiten : Illustrationen

Englisch

Includes bibliographical references and index

Erscheint auch als: Sas, Miryam : Feeling media. - Durham : Duke University Press, 2022 (Online-Ausgabe)

Erscheint auch als: Feeling media / Sas, Miryam [GNDNR:1269179632] (Online-Ausgabe)

978-1-4780-1585-7 (hardcover); 978-1-4780-1849-0 (paperback)

978-1-4780-2309-8 (ISBN der parallelen Ausgabe); 978-1-4780-2309-8 (ISBN der parallelen Ausgabe)

2021054874

OCoLC: 1354374765     

P92.J3

302.230952     Ähnliche Literatur

FIV Notation: RI03.22: Asien (ohne westliches Asien) / Ostasien / Japan ; SG06: Gesellschaft / Medien/Information

GND-Schlagwörter: Japan ; Kunst ; Darstellende Kunst ; Kulturindustrie ; Massenkultur ; Künstler ; Berühmte Persönlichkeit ; Kulturleben ; Kritik ; Kunstwissenschaft

FIV-Themen: Japan ; Kunst ; Darstellende Kunst ; Kulturindustrie ; Massenkultur ; Künstler ; Wichtige Persönlichkeit des kulturellen Lebens ; Kritik ; Kunstgeschichte

FIV-Aspekte: Protest ; Fotografie ; Zeichentrickfilm ; Video ; Feminismus ; Kunstwerk ; Inhaltsanalyse ; Netzwerk (institutionell/sozial)

LOC-SH: Mass media -- Philosophy ; Mass media -- Social aspects -- Japan -- History -- 20th century ; Mass media -- Political aspects -- Japan -- History -- 20th century ; Popular culture -- Japan -- History -- 20th century ; Affect (Psychology) -- Social aspects ; Arts, Japanese -- 20th century

SOCIAL SCIENCE / Media Studies ; HISTORY / Asia / Japan

The feeling of being in the contemporary age : the rise of intermedia -- Intermedia moments in Japanese experimental animation -- The culture industries and media theory in Japan : transformations in leftist thought -- A feminist phenomenology of media : Ishiuchi Miyako -- From postwar to contemporary art -- Moves like sand : community and collectivity in Japanese contemporary art.

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"In Feeling Media, Miryam Sas draws on experimental animation, postwar media theory, photography, and contemporary visual art to explore the potentialities and limitations of media theory and media art in Japan. The book aims to open media studies and affect theory to deeper engagement with works and theorists outside Euro-America by offering a detailed exploration of the critical discourses and artistic practices of both influential as well as lesser-known theorists and artists. Through case studies, Feeling Media proposes an emergent framework of analysis for the humanities that the author terms the "affective scale." The book reads Japanese media theory as working thought, taking into account its complexity and global interconnectedness while resisting reductive linkages to dominant Euro-American theory. The book also performs a historiographic experiment, viewing two key periods of rapid media transformation in relation to one another, while attending to disparities and disjunctures between them"--