179632616X     

Feels right : black queer women and the politics of partying in Chicago / Kemi Adeyemi

Adeyemi, Kemi, 1985- [Verfasserin/Verfasser]

Durham ; London : Duke University Press [2022], 2022

XIV, 177 Seiten

Englisch

Includes bibliographical references and index

Erscheint auch als: Adeyemi, Kemi, 1985- : Feels right. - Durham : Duke University Press, 2022 (Online-Ausgabe)

978-1-4780-1869-8 (paperback); 978-1-4780-1607-6 (hardcover)

978-1-4780-2331-9 (ISBN der parallelen Ausgabe); 978-1-4780-2331-9 (ISBN der parallelen Ausgabe)

2022000024

OCoLC: 1353215329     

GT3408

307.7609773/11     Ähnliche Literatur

Basisklassifikation: 71.31 (Geschlechter und ihr Verhalten) ; 73.93 (Immaterielle Kultur) <Volkskunde>

*Chicago, Ill. ; Identität ; Tanz ; Queer-Theorie ; Ethnizität ; Frau      Zum Register

LOC-SH: Nightlife -- Illinois -- Chicago ; Sexual minority culture -- Illinois -- Chicago ; Sexual minorities -- Illinois -- Chicago -- Social conditions ; Communication and sex -- Illinois -- Chicago ; Queer theory -- Illinois -- Chicago

SOCIAL SCIENCE / Ethnic Studies / American / African American & Black Studies ; SOCIAL SCIENCE / LGBTQ Studies / Lesbian Studies

Slo 'Mo and the Pace of Black Queer Life -- Where's the Joy in Accountability? Black Joy at Its Limits -- Ordinary ENERGY -- An Oral History of the Future of Burnout.

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"In Feels Right Kemi Adeyemi presents an ethnography of how black queer women use dance to assert their physical and affective rights to the city. Adeyemi stages the book in queer dance parties in gentrifying neighborhoods, where good feelings are good business. But feeling good is elusive for black queer women whose nightlives are undercut by white people, heterosexuality, neoliberal capitalism, burnout, and other buzzkills. Adeyemi documents how black queer women respond to these conditions: how they destroy DJ booths, argue with one another, dance slowly, and stop partying altogether. Their practices complicate our expectations that life at night, on the queer dance floor, or among black queer community simply feels good. Adeyemi's framework of "feeling right" instead offers a closer, kinesthetic look at how black queer women adroitly manage feeling itself as a complex right they should be afforded in cities that violently structure their movements and energies. What emerges in Feels Right is a sensorial portrait of the critical, black queer geographies and collectivities that emerge in social dance settings and in the broader neoliberal city"--