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* Ihre Aktion:   suchen [und] (PICA Prod.-Nr. [PPN]) 1755776772
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Online Ressourcen (ohne online verfügbare<BR> Zeitschriften und Aufsätze)
 
K10plusPPN: 
1755776772     Zitierlink
Titel: 
Designs for an Anthropology of the Contemporary / George E. Marcus, Paul Rabinow, Tobias Rees, James D. Faubion
Autorin/Autor: 
Rabinow, Paul [Verfasserin/Verfasser]
Beteiligt: 
Faubion, James D [Verfasserin/Verfasser] ; Marcus, George E [Verfasserin/Verfasser]
Erschienen: 
Durham : Duke University Press [[2008]], [2008]
Umfang: 
1 Online-Ressource (150 p)
Sprache(n): 
Englisch
Schriftenreihe: 
Anmerkung: 
In English
ISBN: 
978-0-8223-9006-0


Sekundärausgabe: 
[Online-Ausgabe]
Link zum Volltext: 
Digital Object Identifier (DOI): 10.1515/9780822390060
Rechteinformation und Access Status: Restricted Access


Sachgebiete: 
bisacsh: SOC002010
Sonstige Schlagwörter: 
Inhaltliche
Zusammenfassung: 
Frontmatter -- Contents -- Introduction -- Dialogue I: Anthropology in Motion -- Dialogue II: After Writing Culture -- Dialogue III: Anthropology Today -- Dialogue IV: The Anthropology of the Contemporary -- Dialogue V: In Search of (New) Norms and Forms -- Dialogue VI: Of Timing and Texts -- Dialogue VII: Designs for an Anthropology of the Contemporary -- Afterword -- Notes -- Index

In this compact volume two of anthropology's most influential theorists, Paul Rabinow and George E. Marcus, engage in a series of conversations about the past, present, and future of anthropological knowledge, pedagogy, and practice. James D. Faubion joins in several exchanges to facilitate and elaborate the dialogue, and Tobias Rees moderates the discussions and contributes an introduction and an afterword to the volume. Most of the conversations are focused on contemporary challenges to how anthropology understands its subject and how ethnographic research projects are designed and carried out. Rabinow and Marcus reflect on what remains distinctly anthropological about the study of contemporary events and processes, and they contemplate productive new directions for the field. The two converge in Marcus's emphasis on the need to redesign pedagogical practices for training anthropological researchers and in Rabinow's proposal of collaborative initiatives in which ethnographic research designs could be analyzed, experimented with, and transformed.Both Rabinow and Marcus participated in the milestone collection Writing Culture: The Poetics and Politics of Ethnography. Published in 1986, Writing Culture catalyzed a reassessment of how ethnographers encountered, studied, and wrote about their subjects. In the opening conversations of Designs for an Anthropology of the Contemporary, Rabinow and Marcus take stock of anthropology's recent past by discussing the intellectual scene in which Writing Culture intervened, the book's contributions, and its conceptual limitations. Considering how the field has developed since the publication of that volume, they address topics including ethnography's self-reflexive turn, scholars' increased focus on questions of identity, the Public Culture project, science and technology studies, and the changing interests and goals of students. Designs for an Anthropology of the Contemporary allows readers to eavesdrop on lively conversations between anthropologists who have helped to shape their field's recent past and are deeply invested in its future


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