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The making of American audiences : from stage to television, 1750-1990 / Richard Butsch

Butsch, Richard, 1943-

Cambridge ; New York : Cambridge University Press, 2000

Online Ressource (x, 438 p.) : ill.

Englisch

Includes bibliographical references (p. 393-429) and index. - Description based on print version record

Erscheint auch als: Butsch, Richard, 1943- : Making of American audiences. - Cambridge ; New York : Cambridge University Press, 2000 (Druck-Ausgabe)

978-0-511-39519-2 (electronic bk.); 0-511-39519-1 (electronic bk.); 978-0-511-61971-7 (electronic bk.); 0-511-61971-5 (electronic bk.)

0-521-66253-2 (ISBN der Printausgabe); 978-0-521-66253-6 (ISBN der Printausgabe); 0-521-66483-7 (ISBN der Printausgabe); 978-0-521-66483-7 (ISBN der Printausgabe); 0-521-66253-2 (ISBN der Printausgabe)

OCoLC: 711906301 (aus SWB)     

Online-Ausg.

Elektronische Ressource: Zugang über Aggregator-Datenbank (Lizenzangabe: Lizenzpflichtig)

PN1590.A9 B88 2000

302.33 ; 791/.0973 ; 302.33     Ähnliche Literatur

bisacsh: PER009000 ; NAL: PN1590.A9 ; bisacsh: PER 009000

LOC-SH: Performing arts -- Audiences -- United States ; Radio audiences -- United States ; Television viewers -- United States ; Arts du spectacle -- Publics -- Histoire -- États-Unis ; Radio -- Auditeurs -- Histoire -- États-Unis ; Téléspectateurs -- Histoire -- États-Unis -- USA -- United States ; Performing arts -- Audiences -- United States ; Radio audiences -- United States ; Television viewers -- United States

Fine Arts ; Social Science ; Literature ; Electronic books ; United States ; USA ; PERFORMING ARTS ; Reference ; Performing arts ; Audiences ; Radio audiences ; Television viewers ; Publikum ; Rundfunk ; Theater ; Publiek ; Toneel ; Variété ; Radioprogramma's ; Televisie

"In The Making of American Audiences, Richard Butsch provides a comprehensive study of American entertainment audiences from the colonial period to the present. Covering theater, minstrelsy, vaudeville, movies, radio, and television, he examines the evolution of audiences as each genre supplanted another as the primary popular entertainment. Based on original historical research, this volume exposes how audiences made themselves through their practices, and how they were made by contemporary discourses."--Jacket