1010638270     

Conflict, commerce, and an aesthetic of appropriation in the Italian maritime cities, 1000-1150 / by Karen Rose Mathews

Mathews, Karen Rose [Verfasserin/Verfasser]

Leiden ; Boston : Brill, 2017

1 Online-Ressource (IX, 236 Seiten) : Illustrationen, Karten

Englisch

Includes bibliographical references

Erscheint auch als: Mathews, Karen R., author : Conflict, commerce, and an aesthetic of appropriation in the Italian maritime cities, 1000-1150. - Leiden ; Boston : Brill, 2018 (Druck-Ausgabe)

978-90-04-36080-8

978-90-04-33565-3 (ISBN der Printausgabe)

OCoLC: 1018472223     

Elektronische Ressource: Zugang über Resolving-System (Lizenzangabe: Lizenzpflichtig)

Digital Object Identifier (DOI): 10.1163/9789004360808

Rechteinformation und Access Status: Available to subscribing member institutions only

NA9348.I8

720.945/09021     Ähnliche Literatur

Basisklassifikation: 71.14 (Städtische Gesellschaft) ; 21.73 (Stadtbaugeschichte; Geschichte ländlicher Siedlungen)

bisacsh: ARC 022000 ; bisacsh: ARC 024010 ; bisacsh: ARC 015000 ; bisacsh: ARC 012000 ; bicssc: HB ; bisacsh: HIS000000

*Mittelmeerraum ; Hafenstadt ; Handel <Motiv> ; Konflikt <Motiv> ; Städtebau ; Geschichte 1000-1150     Zum Register

LOC-SH: Monuments -- Italy -- History -- To 1500 ; Appropriation (Architecture) -- Italy -- History -- To 1500 ; Building materials -- Recycling -- History -- Italy -- To 1500 ; Architecture and society -- Italy -- History -- To 1500 ; City-states -- Italy -- Civilization ; Italy -- Civilization -- 476-1268 ; Monuments -- Italy -- History -- To 1500 ; Appropriation (Architecture) -- Italy -- History -- To 1500 ; Building materials -- Recycling -- Italy -- History -- To 1500 ; Architecture and society -- Italy -- History -- To 1500 ; City-states -- Italy -- Civilization ; Italy -- Civilization -- 476-1268

Introduction : visualizing commerce and conflict in the maritime cities of Medieval Italy -- Local traditions and Norman innovations in the artistic culture of Southern Italy -- Emulation of and appropriation from Byzantium in Venetian visual culture -- The interplay of Islamic and Roman spolia on Pisan churches -- Rivalry with Pisa and spolia as plunder of war in Medieval Genoa -- Conclusion : shifting significations of the spolia aesthetic