"Before Women's History became an academically recognized pursuit, it developed in the marketplace. Westkaemper presents a fascinating and trenchant account of how women toiled across multiple popular sites to make history."
— Nan Enstad, Professor of History, University of Wisconsin, Madison
"Westkaemper argues convincingly that the very assertion that women had a history was a feminist message, and that public history could build feminist community. This book is a valuable and beautifully researched addition to an underwritten period in U.S. women’s history."
— Mary Trigg, author of Feminism as Life's Work: Four Modern American Women through Two World Wars
“Highly original and beautifully written and researched… Effectively put[s] to bed tired assumptions about the commercialization of politics and the apolitical nature of consumer culture in modern America.”
— Enterprise & Society
"Selling Women’s History is dense with information, skillfully weaving together the influence of adwomen, the emergence of the female consumer and the rise of feminism into this diverse collection of women’s historical legacy."
— Communication Arts Magazine
"[Westkaemper's] extensive research and creative attention to marginalized spheres effectively shape our understanding of the development of U.S. women’s history as a field of inquiry and of the intersections of popular culture and feminism across time, as well as of histories of women, feminism, and cultural production."
— The American Historian
"The book’s real strength lies in its accounts of the commodification of women’s history for various purposes, feminist or not....Westkaemper’s book is best understood as a work of media history focused on how historical appeals were deployed to inspire gender consciousness—women’s sense of themselves as a group sharing social and political interests—among media producers and consumers."
— American Historical Review
"Through this considerably detailed look into the parallels between women’s social roles and the changes in mass media, Westkaemper paints a sweeping picture of feminism through history and how the fight for equality is undeniably linked with changes in communication tactics. This book is informative, but in-depth, and would be useful for scholars already familiar with mass communication history. From there, scholars can jump into Westkaemper’s writing as a building block to preliminary media knowledge."
— Communication Booknotes Quarterly
"Deeply informed in foundational scholarship on consumer culture."
— Journal of American History
"Westkaemper compellingly demonstrates 'the variety of twentieth-century feminism” that traffics through mass media, with feminism here defined by “the shared logic that women’s history merits documenting.'"
— American Literary History
"The strengths are in the use of a wide range of archival material including letters, business documents, scrapbooks, cartoons, and photographs....A researcher studying women’s roles in media and business, especially before and after World War II, would do well to consult this list, the careful notes, and the excellent index."
— American Literature
"Through this considerably detailed look into the parallels between women’s social roles and the changes in mass media, Westkaemper paints a sweeping picture of feminism through history and how the fight for equality is undeniably linked with changes in communication tactics. This book is informative, but in-depth, and would be useful for scholars already familiar with mass communication history. From there, scholars can jump into Westkaemper’s writing as a building block to preliminary media knowledge."
— Communication Booknotes Quarterly
“Highly original and beautifully written and researched… Effectively put[s] to bed tired assumptions about the commercialization of politics and the apolitical nature of consumer culture in modern America.”
— Enterprise & Society
"Selling Women’s History is dense with information, skillfully weaving together the influence of adwomen, the emergence of the female consumer and the rise of feminism into this diverse collection of women’s historical legacy."
— Communication Arts Magazine
"The strengths are in the use of a wide range of archival material including letters, business documents, scrapbooks, cartoons, and photographs....A researcher studying women’s roles in media and business, especially before and after World War II, would do well to consult this list, the careful notes, and the excellent index."
— American Literature
"Before Women's History became an academically recognized pursuit, it developed in the marketplace. Westkaemper presents a fascinating and trenchant account of how women toiled across multiple popular sites to make history."
— Nan Enstad, Professor of History, University of Wisconsin, Madison
"Westkaemper argues convincingly that the very assertion that women had a history was a feminist message, and that public history could build feminist community. This book is a valuable and beautifully researched addition to an underwritten period in U.S. women’s history."
— Mary Trigg, author of Feminism as Life's Work: Four Modern American Women through Two World Wars
"The book’s real strength lies in its accounts of the commodification of women’s history for various purposes, feminist or not....Westkaemper’s book is best understood as a work of media history focused on how historical appeals were deployed to inspire gender consciousness—women’s sense of themselves as a group sharing social and political interests—among media producers and consumers."
— American Historical Review
"Westkaemper compellingly demonstrates 'the variety of twentieth-century feminism” that traffics through mass media, with feminism here defined by “the shared logic that women’s history merits documenting.'"
— American Literary History
"[Westkaemper's] extensive research and creative attention to marginalized spheres effectively shape our understanding of the development of U.S. women’s history as a field of inquiry and of the intersections of popular culture and feminism across time, as well as of histories of women, feminism, and cultural production."
— The American Historian
"Deeply informed in foundational scholarship on consumer culture."
— Journal of American History
