Acknowledgments
Notes on Contributors
Foreword: Non-Representational Dreams
1 Creative Practice and the Non-Representational
Part 1 Situated Practices in Art, Craft and Design
2 Geo/graphic Design
3 Geologic Landscape: A Performance and a Wrecked Mobile Phone
4 Micro-Geographies of the Studio
5 Making, Knowing and Being Made: Hand-Stitching Beyond Representation
6 Feeling Queer Art in Public: The Gay Liberation Monument
Part 2 Artistic Engagements with Geography
7 Affecting Objects: Enacting Gesture within a Performative Research Enquiry
8 Circadian Rhythms, Sunsets, and the Representational Thresholds of Time-Lapse Photography
9 ‘Call That Art? I Call It Bad Eyesight’: Seeing or Not Seeing in the Context of Responsive Art Practice
10 Forward, Back, Together – and the Materialities of Taking Part
11 Where Does ‘Your’ Space End and the Next Begin? Non-Representational Geographies of Improvised Performance
Part 3 Geographers Exploring Artistic Practice
12 Making Theatre That Matters: Troubling Subtext, Motive, and Intuition
13 Creativity, Labour, and Captain Cook’s Cottage: From Great Ayton to Fitzroy Gardens
14 Material Conditions in the Post-Human City
15 Attuning to the Geothermal-Urban: Kinetics, Cinematics, and Digital Elementality
16 Thresholds of Representation: Physical Disability in Dance and Perceptions of the Moving Body
Interlude: Supervising
Part 4 Sound, Music, and Creative Mobilities
17 Audio Recording as Performance
18 Psy(co)motion: Anti-Production and Détournement in Affective Musical Cartographies
19 Walk with Me
20 Imaginal Travel: An Expedition in Fine Art Practice in Search of the Loneliest Palm
21 Fragments (formerly Tales from the Asylum)
22 On Edge: Writing Non-Representational Journeys
Afterword: Sensing the World Anew.