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Table of Contents
1 Introduction
2 Methodology
3 Theoretical Background
3.1 Concepts of Identity
3.2 Impact of Globalization
3.3 Late-modernity and the Modern Subject
3.4 Idea of National Identity
3.5 Hybrid Identities and Translation
4 Analysis
4.1 Ashima's Translation
4.2 Duality between Gogol and Nikhil
4.3 Gogol's American Belonging and Strive for Cultural Purity
4.4 Clashing Cultures - Family Conflicts and Tensions
4.5 Clinging to Tradition - Gogol's Change of Heart
4.6 Embracing Hybridity
5 Conclusion
6 Works Cited
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- Anonymous, 2021, The Decentralization of Cultural Identity and its Depiction in Cinema. Family and Migration on Film, Munich, GRIN Verlag, https://www.grin.com/document/1144627
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