The Decentralization of Cultural Identity and its Depiction in Cinema. Family and Migration on Film


Bachelor Thesis, 2021

32 Pages, Grade: 1,7

Anonymous


Excerpt


Table of Contents

1 Introduction

2 Methodology

3 Theoretical Background
3.1 Concepts of Identity
3.2 Impact of Globalization
3.3 Late-modernity and the Modern Subject
3.4 Idea of National Identity
3.5 Hybrid Identities and Translation

4 Analysis
4.1 Ashima's Translation
4.2 Duality between Gogol and Nikhil
4.3 Gogol's American Belonging and Strive for Cultural Purity
4.4 Clashing Cultures - Family Conflicts and Tensions
4.5 Clinging to Tradition - Gogol's Change of Heart
4.6 Embracing Hybridity

5 Conclusion

6 Works Cited

Excerpt out of 32 pages

Details

Title
The Decentralization of Cultural Identity and its Depiction in Cinema. Family and Migration on Film
College
University of Bremen
Course
English-Speaking-Cultures
Grade
1,7
Year
2021
Pages
32
Catalog Number
V1144627
ISBN (eBook)
9783346524072
ISBN (Book)
9783346524089
Language
English
Keywords
English, Bachelorarbeit, Migration, Decentralization, Family, Cinema, Immigration, migrants, immigrants, Hollywood
Quote paper
Anonymous, 2021, The Decentralization of Cultural Identity and its Depiction in Cinema. Family and Migration on Film, Munich, GRIN Verlag, https://www.grin.com/document/1144627

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