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  • 1
    Online-Ressource
    Online-Ressource
    Durham, N.C. [u.a.] : Duke University Press
    ISBN: 9780822397779
    Sprache: Englisch
    Seiten: Online-Ressource
    Ausgabe: Online-Ausg.
    Serie: EBL-Schweitzer
    Paralleltitel: Druckausg. Mavor, Carol, - 1957- Reading boyishly
    DDC: 306.874
    RVK:
    Schlagwort(e): Boys -- Psychology ; Boys in literature ; Mothers and sons ; Mutter ; Junge ; Psychologie ; Literatur ; Electronic books ; Junge
    Kurzfassung: Contents; Acknowledgments; Introduction. Anorectic Hedonism: A Reader's Guide to Reading Boyishly; Novel or a Philosophical Study? Am I a Novelist?; One. My Book Has a Disease; Two. Winnicott's ABCs and String Boy; Three. Splitting: The Unmaking of Childhood and Home; Four. Pulling Ribbons from Mouths: Roland Barthes's Umbilical Referent; Five. Nesting: The Boyish Labor of J. M. Barrie; Six. Childhood Swallows: Lartigue, Proust, and a Little Wilde; Seven. Mouth Wide Open for Proust: "A Sort of Puberty of Sorrow"; Eight. Soufflé/Souffle; Nine. Kissing Time
    Kurzfassung: Ten. Beautiful, Boring, and Blue: The Fullness of Proust's Search and Akerman's Jeanne DielmanConclusion. Boys: "To Think a Part of One's Body"; Illustrations; Notes; Index
    Kurzfassung: An intricate text filled to the brim with connotations of desire, home, and childhood-nests, food, beds, birds, fairies, bits of string, ribbon, goodnight kisses, appetites sated and denied-Reading Boyishly is a story of mothers and sons, loss and longing, writing and photography. In this homage to four boyish men and one boy-J. M. Barrie, Roland Barthes, Marcel Proust, D. W. Winnicott, and the young photographer Jacques Henri Lartigue-Carol Mavor embraces what some have anxiously labeled an over-attachment to the mother. Here, the maternal is a cord (unsevered) to the night-light of boyish re
    Anmerkung: Description based upon print version of record
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 2
    Artikel
    Artikel
    Dazugehörige Bände/Artikel
    In:  Art history 30(2007), 5, Seite 738-756 | volume:30 | year:2007 | number:5 | pages:738-756
    ISSN: 0141-6790
    Sprache: Englisch
    Seiten: Ill
    Titel der Quelle: Art history
    Publ. der Quelle: Oxford [u.a.] : Wiley, 1978
    Angaben zur Quelle: 30(2007), 5, Seite 738-756
    Angaben zur Quelle: volume:30
    Angaben zur Quelle: year:2007
    Angaben zur Quelle: number:5
    Angaben zur Quelle: pages:738-756
    Schlagwort(e): Sans soleil
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 3
    Online-Ressource
    Online-Ressource
    Milton : Taylor & Francis Group
    ISBN: 9781000325553
    Sprache: Englisch
    Seiten: 1 online resource (204 pages)
    Paralleltitel: Erscheint auch als
    DDC: 306.7/0942
    Schlagwort(e): Electronic books
    Anmerkung: Description based on publisher supplied metadata and other sources
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 4
    Buch
    Buch
    Durham [u.a.] : Duke University Press
    ISBN: 082231603X , 0822316196
    Sprache: Englisch
    Seiten: XIV, 171 S. , Ill.
    Ausgabe: 2. print.
    DDC: 306.7/0942
    RVK:
    Schlagwort(e): Photography ; Großbritannien ; Fotografie ; Frau ; Geschichte 1850-1900 ; Carroll, Lewis 1832-1898 ; Fotografie ; Cameron, Julia Margaret 1815-1879 ; Fotografie
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 5
    ISBN: 1860641164
    Sprache: Englisch
    Seiten: XIV, 171 S. , Ill.
    DDC: 306.70942
    RVK:
    Schlagwort(e): Geschichte 1832-1902 ; Fotografie ; Sexualität ; Großbritannien ; Großbritannien ; Fotografie ; Sexualität ; Geschichte 1832-1902
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 6
    Buch
    Buch
    Durham u.a. : Duke Univ. Press
    ISBN: 082231603X
    Sprache: Englisch
    Seiten: XIV, 171, [16] S. , Ill.
    DDC: 779
    RVK:
    Schlagwort(e): Geschichte 1800-1900 ; Geschichte 1832-1902 ; Sexualitet - historia - Storbritannien - England - 1800-talet ; Sexualitet i konsten ; Viktoriansk fotografi ; Alltag, Brauchtum ; Geschichte ; Photography of women History 19th century ; Photography, Erotic ; Sex in art ; Sex role History 19th century ; Sex History 19th century ; Fotografie ; Sexualität ; England Social life and customs 19th century ; Großbritannien ; Großbritannien ; Fotografie ; Sexualität ; Geschichte 1832-1902
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 7
    Online-Ressource
    Online-Ressource
    North Carolina : Duke University Press
    ISBN: 9780822338864
    Sprache: Englisch
    Seiten: Online-Ressource (535 p)
    Paralleltitel: Print version Reading Boyishly : Roland Barthes, J. M. Barrie, Jacques Henri Lartigue, Marcel Proust, and D. W. Winnicott
    DDC: 306.874/3
    Schlagwort(e): Electronic books
    Kurzfassung: An intricate text filled to the brim with connotations of desire, home, and childhood-nests, food, beds, birds, fairies, bits of string, ribbon, goodnight kisses, appetites sated and denied-Reading Boyishly is a story of mothers and sons, loss and longing, writing and photography. In this homage to four boyish men and one boy-J. M. Barrie, Roland Barthes, Marcel Proust, D. W. Winnicott, and the young photographer Jacques Henri Lartigue-Carol Mavor embraces what some have anxiously labeled an over-attachment to the mother. Here, the maternal is a cord (unsevered) to the night-light
    Beschreibung / Inhaltsverzeichnis: Contents; Acknowledgments; Introduction. Anorectic Hedonism: A Reader's Guide to Reading Boyishly; Novel or a Philosophical Study? Am I a Novelist?; One. My Book Has a Disease; Two. Winnicott's ABCs and String Boy; Three. Splitting: The Unmaking of Childhood and Home; Four. Pulling Ribbons from Mouths: Roland Barthes's Umbilical Referent; Five. Nesting: The Boyish Labor of J. M. Barrie; Six. Childhood Swallows: Lartigue, Proust, and a Little Wilde; Seven. Mouth Wide Open for Proust: "A Sort of Puberty of Sorrow"; Eight. Soufflé/Souffle; Nine. Kissing Time
    Beschreibung / Inhaltsverzeichnis: Ten. Beautiful, Boring, and Blue: The Fullness of Proust's Search and Akerman's Jeanne DielmanConclusion. Boys: "To Think a Part of One's Body"; Illustrations; Notes; Index
    Anmerkung: Description based upon print version of record
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 8
    Online-Ressource
    Online-Ressource
    Durham : Duke University Press | Berlin : Walter de Gruyter GmbH
    ISBN: 9780822377948
    Sprache: Englisch
    Seiten: 1 Online-Ressource (208 p.) , 49 photographs, includes 16 duotones
    DDC: 306.7/0942
    Kurzfassung: An intimate look into three Victorian photo-settings, Pleasures Taken considers questions of loss and sexuality as they are raised by some of the most compelling and often misrepresented photographs of the era: Lewis Carroll's photographs of young girls; Julia Margaret Cameron's photographs of Madonnas; and the photographs of Hannah Cullwick, a "maid of all work," who had herself pictured in a range of masquerades, from a blackened chimney sweep to a bare-chested Magdalene. Reading these settings performatively, Carol Mavor shifts the focus toward the subjectivity of these girls and women, and toward herself as a writer.Mavor's original approach to these photographs emphatically sees sexuality where it has been previously rendered invisible. She insists that the sexuality of the girls in Carroll's pictures is not only present, but deserves recognition, respect, and scrutiny. Similarly, she sees in Cameron's photographs of sensual Madonnas surprising visions of motherhood that outstrip both Victorian and contemporary understandings of the maternal as untouchable and inviolate, without sexuality. Finally she shows how Hannah Cullwick, posing in various masquerades for her secret paramour, emerges as a subject with desires rather than simply a victim of her upper-class partner. Even when confronting the darker areas of these photographs, Mavor perseveres in her insistence on the pleasures taken-by the viewer, the photographer, and often by the model herself-in the act of imagining these sexualities. Inspired by Roland Barthes, and drawing on other theorists such as Julia Kristeva and Luce Irigaray, Mavor creates a text that is at once interdisciplinary, personal, and profoundly pleasurable.
    URL: Cover
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 9
    Artikel
    Artikel
    In:  The smell culture reader (2006), Seite 277-288 | year:2006 | pages:277-288
    ISBN: 1845202120
    Sprache: Unbestimmte Sprache
    Titel der Quelle: The smell culture reader
    Publ. der Quelle: Oxford [u.a.] : Berg, 2006
    Angaben zur Quelle: (2006), Seite 277-288
    Angaben zur Quelle: year:2006
    Angaben zur Quelle: pages:277-288
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 10
    Online-Ressource
    Online-Ressource
    London : Routledge
    ISBN: 9781003135647
    Sprache: Englisch
    Seiten: 1 Online Ressource (xiv, 171 Seiten) , Illustrationen
    Paralleltitel: Erscheint auch als
    DDC: 306.7/0942
    RVK:
    Schlagwort(e): Geschichte 1832-1902 ; PSYCHOLOGY / Human Sexuality (see also SOCIAL SCIENCE / Human Sexuality) ; Photography of women History 19th century ; Photography, Erotic ; Sex in art ; Sex role History 19th century ; Sex History 19th century ; Sexualität ; Fotografie ; Großbritannien ; Großbritannien ; Fotografie ; Sexualität ; Geschichte 1832-1902
    Kurzfassung: An intimate look into three Victorian photo-settings, Pleasures Taken considers questions of loss and sexuality as they are raised by some of the most compelling and often misrepresented photographs of the era: Lewis Carroll's photographs of young girls; Julia Margaret Cameron's photographs of Madonnas; and the photographs of Hannah Cullwick, a "maid of all work," who had herself pictured in a range of masquerades, from a blackened chimney sweep to a bare-chested Magdalene. Reading these settings performatively, Carol Mavor shifts the focus toward the subjectivity of these girls and women, and toward herself as a writer.Mavor's original approach to these photographs emphatically sees sexuality where it has been previously rendered invisible. She insists that the sexuality of the girls in Carroll's pictures is not only present, but deserves recognition, respect, and scrutiny. Similarly, she sees in Cameron's photographs of sensual Madonnas surprising visions of motherhood that outstrip both Victorian and contemporary understandings of the maternal as untouchable and inviolate, without sexuality. Finally she shows how Hannah Cullwick, posing in various masquerades for her secret paramour, emerges as a subject with desires rather than simply a victim of her upper-class partner. Even when confronting the darker areas of these photographs, Mavor perseveres in her insistence on the pleasures taken-by the viewer, the photographer, and often by the model herself-in the act of imagining these sexualities. Inspired by Roland Barthes, and drawing on other theorists such as Julia Kristeva and Luce Irigaray, Mavor creates a text that is at once interdisciplinary, personal, and profoundly pleasurable
    Anmerkung: Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020) , In English
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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