ISBN:
9781119237204
Language:
English
Pages:
1 Online-Ressource (730 ungezählte Seiten)
,
Illustrationen
Series Statement:
Wiley Blackwell companions to cultural studies
Parallel Title:
Erscheint auch als Booth, Paul A Companion to Media Fandom and Fan Studies
DDC:
303.48/33
Keywords:
Technological innovations Social aspects
;
Online social networks Social aspects
;
Digital media Social aspects
;
Fans (Persons) Psychology
;
Aufsatzsammlung
;
Aufsatzsammlung
;
Aufsatzsammlung
;
Aufsatzsammlung
Abstract:
Intro -- Title Page -- Table of Contents -- Notes on Contributors -- Editor Biography -- Contributor Biographies -- Acknowledgments -- Introduction -- Structure of the Book -- References -- Part I: Histories, Genealogies, Methodologies -- Chapter 1: Fandom, Negotiation, and Participatory Culture -- Negotiated Readings -- Interpretive Communities, Subcultures, and Imaginative Publics -- Fandom as Participatory Culture -- References -- Chapter 2: Foundational Discourses of Fandom -- Mental Intoxication -- Peopling the Self -- Managing the Multitude -- Conclusion -- References -- Chapter 3: Literature Fandom and Literary Fans -- Fandom in Literary Scholarship -- The Birth of US Media Fandom: An Alternate History -- Literary Fandom in The Saturday Review of Literature -- Literary Fan Studies: Moving Forward -- References -- Chapter 4: The Fan Experience -- Founding Fandom: Hugo Gernsback and the Science Fiction League -- Media Fandom and Fan Advocacy -- Fans and Technology: Medium and Message -- Fans and Producers: Beyond Gift Culture -- Conclusion -- References -- Chapter 5: Soap Fans, Revisited -- FanâIndustry Relations -- FanâObject Specificity -- Identities, Practices, and Communities -- Conclusion -- References -- Chapter 6: Not My Lifeblood: Autoethnography, Affective Fluctuations and Popular Music Antifandom -- AutoethnographyâasâMethod and Studying Life Fandoms -- Accounting for Affective Fluctuations -- Lifeblood as Antifandom Object -- Conclusion -- References -- Chapter 7: Representations of Fans and Fandom in the British Newspaper Media -- Fans and Media Representation -- Methodology -- January 2000 -- January 2005 -- January 2010 -- Discussion -- Conclusion -- References -- Chapter 8: Ethics in Fan Studies Research -- Institutional and Organizational Parameters -- Establishing Your Research: Common Ethical Considerations
Abstract:
The Fan Researcher and the Fan Community -- Public, Private, and Bounded Research Contexts -- Research in Controversial and Complicated Contexts -- Care of the Self -- Conclusion -- Appendix -- References -- Part II: Fan Practices -- Chapter 9: Make Space for Us! Fandomin the Real World -- Community and Identity at Fan Conventions -- Convention Space as Liminal Space -- Cosplay/Performance -- Fan Tourism and Pilgrimage -- Liminality -- Performance -- Encountering the Sacred -- Conclusion -- References -- Chapter 10: Nostalgia, Fandom and the Remediation of Childrenâs Culture -- Nostalgia in Popular Culture -- LEGO and LEGO Fandom -- From Springfield to Hill Valley, via Oz: Playing with Nostalgia in LEGO Dimensions -- Conclusion -- References -- Chapter 11: Fan Fashion: Reâenacting Hunger Games through Clothing and Design -- Theorizing Embodiment and Fashion in Fandom -- The Hunger Games -- Methodology -- Districts and Resistance in The Hunger Games Streetwear -- Glamorizing the Capitol through Makeâup -- Reâenacting The Hunger Games in Cosplay and Replicas -- Couture -- Conclusion -- References -- Chapter 12: Slash/Drag: Appropriation and Visibility in the Age of Hamilton -- âWeâre Not Gay -- We Just Love Each Otherâ -- Red Rover, Red Rover, Send Judy Back Over -- âItâs Life, Jim, but Not as We Know Itâ -- Italian Widows and Action Heroes -- Mommy Dearest, Meet Bucky Barnes -- A Brief Note on the Power of the âHealing Cockâ -- On Realism and Visibility -- The World Turned Upside Down -- Iâm Looking Through You / Look Around, Look Around -- Hamilton In/As Fandom -- Conclusion -- References -- Chapter 13: âBecoming a Part of the Storytellingâ: Fan Vidding Practices and Histories -- Vids as Fannish Engagement -- Music and Meaning in Vids -- Development and History of Vidding Practice -- Early Digital Vidding
Abstract:
LiveJournal Communities -- Vidding Communities in Transition -- GIF Sets and the Tumblr Mashup -- Conclusion -- References -- Part III: Fandom and Cultural Studies -- Chapter 14: âAngry FalseâTeethâChattering Mayhemâ: Synecdochic Fandom, Representation and Performance in Mature Woman Fandom of British Professional Wrestling -- The Female Wrestling Fan -- British Professional Wrestling -- Synecdochic Fandom -- Performative Fandom and Kayfabe -- Conclusion -- References -- Chapter 15: Itâs About Who You Know: Social Capital, Hierarchies and Fandom -- Pierre Bourdieu on Taste Distinctions -- Fandom as Social Hierarchy -- Fan Capitals -- Conclusion -- References -- Chapter 16: Ontological Security and the Politics of Transcultural Fandom -- Ontological In/security and Transcultural Fandom -- âI Never Imagined I Would See This Costume in Japanâ -- âWhen Iâm Crying about Mark Gatiss Please Remind Me Bryan Fuller Existsâ -- âFandom Is Not Made for Meâ -- Conclusion -- References -- Chapter 17: Fandom and Otaku -- What Is an Otaku? -- Otaku in the Japanese Context -- Otaku in the Western Context -- Complicating Matters Further: Otaku as Identity Terminology -- Towards a Transcultural Understanding of Multiple Meanings -- Conclusion -- References -- Chapter 18: Otaku Pedestrians -- Otaku in the City, or, a Pedestrian Method -- Limited Time Offer: Ikebukuro and the Production of Rarity -- The Birth of the Recycling Shop: A Brief History of Ikebukuro -- Conclusion -- References -- Chapter 19: The Unbearable Whiteness of Fandom and Fan Studies -- People of Color in Predominantly White Fandoms -- Fandoms of Color -- The Elephant in the Room: Naming Whiteness -- âWhen You Talk About Race, It Makes Me Cry!â: How Whiteness Shapes Fandoms -- PastyâFaced Nerds Straighten Up and Fly White: Industry Approaches to Fandom -- Conclusion
Abstract:
References -- Chapter 20: Who Do You Mean by âFan?â Decolonizing Media Fandom Identity -- Fan Studies and Identity -- FansâasâActivists: Possibilities and Pitfalls -- Fan Negotiations: Identity, Representation, and Authenticity -- Fan Identity Articulations: The Case for Differential Authenticities -- Strategic Assemblages: Fan of Color -- Conclusion -- References -- Chapter 21: Racebending and Prosumer Fanart Practices in Harry Potter Fandom -- Fan/art Studies -- Harry Potter and Beyond -- HandâDrawn Art -- Manips, Aesthetics, and Film -- Conclusion -- References -- Part IV: Digital Fandom -- Chapter 22: Tumblr Pedagogies -- Fandom and Tumblr -- Tumblr and Social Justice -- Fannish Pedagogies on Tumblr -- Fandom and Tumblr in the Classroom -- Tumblr Pedagogies and Beyond -- Acknowledgments -- References -- Chapter 23: Active Fandom -- The Whedonverse -- Buffy and Fandomâs Digital Turn -- Firefly and Doing the Impossible -- Interlude: RIP Wash -- Dollhouse and Discourses of Cancellation -- Activating Fandom in Dr. Horribleâs SingâAlong Blog -- Active Fandom and âCultâ Audiences -- Conclusion -- References -- Chapter 24: âMay We Meet Againâ -- Context and Methodology: The Era of Convergence -- Keep Calm and Join the Fandom: A Typology of Fansâ Activities -- The 100 and Clexa Social Activism: Taking Back the Narrative -- A Strong Social Bond: Discussion, Debates and Friendship -- Collecting and Editing: The Wikia and Collective Intelligence -- The Many Facets of #Clexakru Creativity -- The #Clexa Fandom and Questions of Identity and the Sense of Family -- References -- Chapter 25: Of Spinoffs and Spinning Off -- Valuing the Industrial Spinoff -- Supernatural: A Fraught History of Spinning Off -- IamCastiel: A Supernatural Twitterverse -- The Endverse & âDown to Agincourtâ -- Spinning Off to a Better Text: The Cambionverse
Abstract:
Reimagining the Televisual Spinoff: Wayward Daughters -- References -- Chapter 26: #AskELJames, Ghostbusters, and #Gamergate -- âWhat Do You Hate More, Women or the English Language?â: #AskELJames and Moral Antifandom -- âWho Else Came Here Just to Dislike?â: Ghostbusters andCult Antifandom Online -- #Gamergate and the Darker Dimensions of Antifandom -- Conclusion -- References -- Chapter 27: Red Pillers, Sad Puppies, and Gamergaters -- A Brief History of Menâs Rights Activism -- The Role of the Internet -- The Male Fan Identity -- Theories on Gender -- The Return to Patriarchy -- Gamergate -- Cuckservative -- Sad Puppies and Rabid Puppies -- Conclusion -- References -- Chapter 28: âFate Has a Habit of Not Letting Us Choose Our Own Endingsâ -- Hannibal, Endings and Transitions -- Material Fan Practices in PostâObject and Interim Fandom -- Conclusion -- References -- Part V: The Future of Fan Studies -- Chapter 29: Understanding Which Fandom? Insights from Two Decades as a Music Fan Researcher -- To What Extent Can We Understand Fandom as One Object? -- Academic Disciplines and Research Trajectories -- Understanding Fandom and Its Reception -- Conclusion -- References -- Chapter 30: Implicit Fandom in the Fields of Theatre, Art, and Literature: Studying âFansâ Beyond Fan Discourses -- Fandom by Any Other Name: Implicit Fan Practices and Field Theory -- âTheatres Need⦠Fans,â or, the Tate Modern as âCult Entertainment Megastoreâ: Theatre, Art and Implicit Fandom -- Literature and (Implicit) Fandom, or, from Janeites to Jonathanites -- Conclusion -- References -- Chapter 31: Janeites and Sherlockians: Literary Societies, Cultural Legitimacy, and Gender -- Janeites -- Sherlockians -- Conclusion -- References -- Chapter 32: Porn Consumers as Fans -- Consumers without Agency -- Passive Addiction -- Fans Like to Collect
Abstract:
Fans Like to Taxonomize
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